Full Version: #15
The revolution is cooooming....
I feel like putting YMCA song in the background.... just to keep the hype up!
QUOTE(BrotherOfStell @ Jun 5 2007, 03:51 PM) 
This IS Sparta!
damn, someone got it first. wonder how many new posts I'll see after I post this.
damn, someone got it first. wonder how many new posts I'll see after I post this.
lol..nice..
actually I am in a ship that is sitting on wooden blocks right now
Hey! It's breakfast time here, who's got the Spam?
So I waited like 3 hours, went to sleep and now still nothing...hmmmm....when's "business hours" exactly?
QUOTE(hrodhgar @ Jun 5 2007, 08:56 AM)
You can read this while waiting. Thats what i do.
The 20th century
The first three decades
The Victorian era continued into the early years of the 20th century and two figures emerged as the leading representative of the poetry of the old era to act as a bridge into the new. These were Yeats and Thomas Hardy. Yeats, although not a modernist, was to learn a lot from the new poetic movements that sprang up around him and adapted his writing to the new circumstances. Hardy was, in terms of technique at least, a more traditional figure and was to be a reference point for various anti-modernist reactions, especially from the 1950s onwards.
The Georgian poets and World War I
The Georgian poets were the first major grouping of the post-Victorian era. Their work appeared in a series of five anthologies called Georgian Poetry which were published by Harold Monro and edited by Edward Marsh. The poets featured included Edmund Blunden, Rupert Brooke, Robert Graves, D. H. Lawrence, Walter de la Mare and Siegfried Sassoon. Their poetry represented something of a reaction to the decadence of the 1890s and tended towards the sentimental.
Brooke and Sassoon were to go on to win reputations as war poets and Lawrence quickly distanced himself from the group and was associated with the modernist movement. Other notable poets who wrote about the war include Isaac Rosenberg, Edward Thomas, Wilfred Owen, May Cannan and, from the home front, Hardy and Rudyard Kipling. Although many of these poets wrote socially-aware criticism of the war, most remained technically conservative and traditionalist.
Modernism
The early decades of the 20th century saw the United States begin to overtake the United Kingdom as the major economic power. In the world of poetry, this period also saw American writers at the forefront of avant-garde practices. Among the foremost of these poets were T.S. Eliot, H.D. and Ezra Pound, each of whom spent an important part of their writing lives in England.
Pound's involvement with the Imagists marked the beginning of a revolution in the way poetry was written. English poets involved with this group included D. H. Lawrence, Richard Aldington, T. E. Hulme, F. S. Flint, E. E. Cummings, Ford Madox Ford, Allen Upward and John Cournos. Eliot, particularly after the publication of The Waste Land, became a major figure and influence on other English poets.
In addition to these poets, other English modernists began to emerge. These included the London-Welsh poet and painter David Jones, whose first book, In Parenthesis, was one of the very few experimental poems to come out of World War I, the Scot Hugh MacDiarmid, Mina Loy and Basil Bunting.
The Thirties
The poets who began to emerge in the 1930s had two things in common; they had all been born too late to have any real experience of the pre-World War I world and they grew up in a period of social, economic and political turmoil. Perhaps as a consequence of these facts, themes of community, social (in)justice and war seem to dominate the poetry of the decade.
The poetic landscape of the decade was dominated by four poets; W. H. Auden, Stephen Spender, Cecil Day-Lewis and Louis MacNeice, although the last of these belongs at least as much to the history of Irish poetry. These poets were all, in their early days at least, politically active on the Left. Although they admired Eliot, they also represented a move away from the technical innovations of their modernist predecessors. A number of other, less enduring, poets also worked in the same vein. One of these was Michael Roberts, whose New Country anthology both introduced the group to a wider audience and gave them their name.
The 1930s also saw the emergence of a home-grown English surrealist poetry whose main exponents were David Gascoyne, Hugh Sykes Davies, George Barker, and Philip O'Connor. These poets turned to French models rather than either the New Country poets or English-language modernism, and their work was to prove of importance to later English experimental poets as it broadened the scope of the English avant-garde tradition.
John Betjeman and Stevie Smith, who were two of the most significant poets of this period, stood outside all schools and groups. Betjeman was a quietly ironic poet of Middle England with a fine command of a wide range of verse techniques. Smith was an entirely unclassifiable one-off voice.
The Forties
The 1940s opened with the United Kingdom at war and a new generation of war poets emerged in response. These included Keith Douglas, Alun Lewis, Henry Reed and F. T. Prince. As with the poets of the First World War, the work of these writers can be seen as something of an interlude in the history of 20th century poetry. Technically, many of these war poets owed something to the 1930s poets, but their work grew out of the particular circumstances in which they found themselves living and fighting.
The main movement in post-war 1940s poetry was the New Romantic group that included Dylan Thomas, George Barker, W. S. Graham, Kathleen Raine, Henry Treece and J. F. Hendry. These writers saw themselves as in revolt against the classicism of the New Country poets. They turned to such models as Gerard Manley Hopkins, Arthur Rimbaud and Hart Crane and the word play of James Joyce. Thomas, in particular, helped Anglo-Welsh poetry to emerge as a recognisable force.
Other significant poets to emerge in the 1940s include Lawrence Durrell, Bernard Spencer, Roy Fuller, Norman Nicholson, Vernon Watkins, R. S. Thomas and Norman McCaig. These last four poets represent a trend towards regionalism and poets writing about their native areas; Watkins and Thomas in Wales, Nicholson in Cumberland and MacCaig in Scotland.
The Fifties
The 1950s were dominated by three groups of poets, The Movement, The Group and a number of poets that gathered around the label Extremist Art.
The Movement poets as a group came to public notice in Robert Conquest's 1955 anthology New Lines. The core of the group consisted of Philip Larkin, Elizabeth Jennings, D. J. Enright, Kingsley Amis, Thom Gunn and Donald Davie. They were identified with a hostility to modernism and internationalism, and looked to Hardy as a model. However, both Davie and Gunn later moved away from this position.
As befits their name, the Group were much more formally a group of poets, meeting for weekly discussions under the chairmanship of Philip Hobsbaum and Edward Lucie-Smith. Other Group poets included Martin Bell, Peter Porter, Peter Redgrove, George MacBeth and David Wevill. Hobsbaum spent some time teaching in Belfast, where he was a formative influence on the emerging Northern Ireland poets including Seamus Heaney.
The term Extremist Art was first used by the poet A. Alvarez to describe the work of the American poet Sylvia Plath. Other poets associated with this group included Plath's one-time husband Ted Hughes, Francis Berry and Jon Silkin. These poets are sometimes compared with the Expressionist German school.
A number of young poets working in what might be termed a modernist vein also started publishing during this decade. These included Charles Tomlinson, Gael Turnbull, Roy Fisher and Bob Cobbing. These poets can now be seen as forerunners of some of the major developments during the following two decades.
The 1960s and 1970s
In the early part of the 1960s, the centre of gravity of mainstream poetry moved to Ireland, with the emergence of Seamus Heaney, Tom Paulin, Paul Muldoon and others. In England, the most cohesive groupings can, in retrospect, be seen to cluster around what might loosely be called the modernist tradition and draw on American as well as indigenous models.
The British Poetry Revival was a wide-reaching collection of groupings and subgroupings that embraces performance, sound and concrete poetry as well as the legacy of Pound, Jones, MacDiarmid, Loy and Bunting, the Objectivist poets, the Beats and the Black Mountain poets, among others. Leading poets associated with this movement include J. H. Prynne, Eric Mottram, Tom Raworth, Denise Riley and Lee Harwood.
The Mersey Beat poets were Adrian Henri, Brian Patten and Roger McGough. Their work was a self-conscious attempt at creating an English equivalent to the Beats. Many of their poems were written in protest against the established social order and, particularly, the threat of nuclear war. Although not actually a Mersey Beat poet, Adrian Mitchell is often associated with the group in critical discussion. Contemporary poet Steve Turner has also been compared with them.
The 20th century
The first three decades
The Victorian era continued into the early years of the 20th century and two figures emerged as the leading representative of the poetry of the old era to act as a bridge into the new. These were Yeats and Thomas Hardy. Yeats, although not a modernist, was to learn a lot from the new poetic movements that sprang up around him and adapted his writing to the new circumstances. Hardy was, in terms of technique at least, a more traditional figure and was to be a reference point for various anti-modernist reactions, especially from the 1950s onwards.
The Georgian poets and World War I
The Georgian poets were the first major grouping of the post-Victorian era. Their work appeared in a series of five anthologies called Georgian Poetry which were published by Harold Monro and edited by Edward Marsh. The poets featured included Edmund Blunden, Rupert Brooke, Robert Graves, D. H. Lawrence, Walter de la Mare and Siegfried Sassoon. Their poetry represented something of a reaction to the decadence of the 1890s and tended towards the sentimental.
Brooke and Sassoon were to go on to win reputations as war poets and Lawrence quickly distanced himself from the group and was associated with the modernist movement. Other notable poets who wrote about the war include Isaac Rosenberg, Edward Thomas, Wilfred Owen, May Cannan and, from the home front, Hardy and Rudyard Kipling. Although many of these poets wrote socially-aware criticism of the war, most remained technically conservative and traditionalist.
Modernism
The early decades of the 20th century saw the United States begin to overtake the United Kingdom as the major economic power. In the world of poetry, this period also saw American writers at the forefront of avant-garde practices. Among the foremost of these poets were T.S. Eliot, H.D. and Ezra Pound, each of whom spent an important part of their writing lives in England.
Pound's involvement with the Imagists marked the beginning of a revolution in the way poetry was written. English poets involved with this group included D. H. Lawrence, Richard Aldington, T. E. Hulme, F. S. Flint, E. E. Cummings, Ford Madox Ford, Allen Upward and John Cournos. Eliot, particularly after the publication of The Waste Land, became a major figure and influence on other English poets.
In addition to these poets, other English modernists began to emerge. These included the London-Welsh poet and painter David Jones, whose first book, In Parenthesis, was one of the very few experimental poems to come out of World War I, the Scot Hugh MacDiarmid, Mina Loy and Basil Bunting.
The Thirties
The poets who began to emerge in the 1930s had two things in common; they had all been born too late to have any real experience of the pre-World War I world and they grew up in a period of social, economic and political turmoil. Perhaps as a consequence of these facts, themes of community, social (in)justice and war seem to dominate the poetry of the decade.
The poetic landscape of the decade was dominated by four poets; W. H. Auden, Stephen Spender, Cecil Day-Lewis and Louis MacNeice, although the last of these belongs at least as much to the history of Irish poetry. These poets were all, in their early days at least, politically active on the Left. Although they admired Eliot, they also represented a move away from the technical innovations of their modernist predecessors. A number of other, less enduring, poets also worked in the same vein. One of these was Michael Roberts, whose New Country anthology both introduced the group to a wider audience and gave them their name.
The 1930s also saw the emergence of a home-grown English surrealist poetry whose main exponents were David Gascoyne, Hugh Sykes Davies, George Barker, and Philip O'Connor. These poets turned to French models rather than either the New Country poets or English-language modernism, and their work was to prove of importance to later English experimental poets as it broadened the scope of the English avant-garde tradition.
John Betjeman and Stevie Smith, who were two of the most significant poets of this period, stood outside all schools and groups. Betjeman was a quietly ironic poet of Middle England with a fine command of a wide range of verse techniques. Smith was an entirely unclassifiable one-off voice.
The Forties
The 1940s opened with the United Kingdom at war and a new generation of war poets emerged in response. These included Keith Douglas, Alun Lewis, Henry Reed and F. T. Prince. As with the poets of the First World War, the work of these writers can be seen as something of an interlude in the history of 20th century poetry. Technically, many of these war poets owed something to the 1930s poets, but their work grew out of the particular circumstances in which they found themselves living and fighting.
The main movement in post-war 1940s poetry was the New Romantic group that included Dylan Thomas, George Barker, W. S. Graham, Kathleen Raine, Henry Treece and J. F. Hendry. These writers saw themselves as in revolt against the classicism of the New Country poets. They turned to such models as Gerard Manley Hopkins, Arthur Rimbaud and Hart Crane and the word play of James Joyce. Thomas, in particular, helped Anglo-Welsh poetry to emerge as a recognisable force.
Other significant poets to emerge in the 1940s include Lawrence Durrell, Bernard Spencer, Roy Fuller, Norman Nicholson, Vernon Watkins, R. S. Thomas and Norman McCaig. These last four poets represent a trend towards regionalism and poets writing about their native areas; Watkins and Thomas in Wales, Nicholson in Cumberland and MacCaig in Scotland.
The Fifties
The 1950s were dominated by three groups of poets, The Movement, The Group and a number of poets that gathered around the label Extremist Art.
The Movement poets as a group came to public notice in Robert Conquest's 1955 anthology New Lines. The core of the group consisted of Philip Larkin, Elizabeth Jennings, D. J. Enright, Kingsley Amis, Thom Gunn and Donald Davie. They were identified with a hostility to modernism and internationalism, and looked to Hardy as a model. However, both Davie and Gunn later moved away from this position.
As befits their name, the Group were much more formally a group of poets, meeting for weekly discussions under the chairmanship of Philip Hobsbaum and Edward Lucie-Smith. Other Group poets included Martin Bell, Peter Porter, Peter Redgrove, George MacBeth and David Wevill. Hobsbaum spent some time teaching in Belfast, where he was a formative influence on the emerging Northern Ireland poets including Seamus Heaney.
The term Extremist Art was first used by the poet A. Alvarez to describe the work of the American poet Sylvia Plath. Other poets associated with this group included Plath's one-time husband Ted Hughes, Francis Berry and Jon Silkin. These poets are sometimes compared with the Expressionist German school.
A number of young poets working in what might be termed a modernist vein also started publishing during this decade. These included Charles Tomlinson, Gael Turnbull, Roy Fisher and Bob Cobbing. These poets can now be seen as forerunners of some of the major developments during the following two decades.
The 1960s and 1970s
In the early part of the 1960s, the centre of gravity of mainstream poetry moved to Ireland, with the emergence of Seamus Heaney, Tom Paulin, Paul Muldoon and others. In England, the most cohesive groupings can, in retrospect, be seen to cluster around what might loosely be called the modernist tradition and draw on American as well as indigenous models.
The British Poetry Revival was a wide-reaching collection of groupings and subgroupings that embraces performance, sound and concrete poetry as well as the legacy of Pound, Jones, MacDiarmid, Loy and Bunting, the Objectivist poets, the Beats and the Black Mountain poets, among others. Leading poets associated with this movement include J. H. Prynne, Eric Mottram, Tom Raworth, Denise Riley and Lee Harwood.
The Mersey Beat poets were Adrian Henri, Brian Patten and Roger McGough. Their work was a self-conscious attempt at creating an English equivalent to the Beats. Many of their poems were written in protest against the established social order and, particularly, the threat of nuclear war. Although not actually a Mersey Beat poet, Adrian Mitchell is often associated with the group in critical discussion. Contemporary poet Steve Turner has also been compared with them.
You type ...like quick r something
Whats with that singing mutant? I cant understand a word he is saying.
Please.Give.That.Teaser.Now.
Pleeeeaseeeee
Pleeeeaseeeee
I give up...i'm going to sleep.
Goodbye cruel world.
Goodbye cruel world.
lol, we already hit 100...
guys dont know if ya realise, but the teaser will appear TODAY!!!!!!!!!!!!!!!!!!!!!!!!!!!1ONEONENEO
QUOTE(amon @ Jun 5 2007, 04:51 PM)
AAAAAAAAAAAAAAAAAAAAAAAAAAAAAAAA
+1
Just noticed that i spelled my name wrong.
Oh btw, SPAM
Oh btw, SPAM
Just wanted to show my COMPLETELY NEW avatar.
QUOTE(rippa32 @ Jun 5 2007, 01:57 PM)
Whats with that singing mutant? I cant understand a word he is saying.
ban this man... no one questions the singing mutant
i love my avatar !
sdfkdjhgdkf..
sdfkdjhgdkf..
Lol that mutant sure has TOP NOTCH JET
QUOTE(rippa32 @ Jun 5 2007, 10:57 PM)
Whats with that singing mutant? I cant understand a word he is saying.
I dunno, I'm still laughing though... thats not getting old anytime soon.
Marcus has never been so funny.
oh c'mon, it's almost 9 am there... get up and put the teaser on the site, so we could see it and bash you later 
QUOTE(Kaan @ Jun 5 2007, 05:53 AM)
We gotta beat the record, 20mins for 200 posts. Let's go for 15!
Actualy thread 14 was done in 16 min
QUOTE(Illium @ Jun 6 2007, 12:57 AM)
actually I am in a ship that is sitting on wooden blocks right now
really?
what has tyres but can't move "a ship that is sitting on wooden blocks"
QUOTE(Hungry Donner @ Jun 5 2007, 07:55 AM)
Well there are fifteen hours left of today
Your going to make me cry!
/small tear
QUOTE(revmark @ Jun 5 2007, 07:56 AM)
I'M ON JET!!!
Jagged Jimmy J will take you to the MOON! ....no wait, thats Renesco the Rocketman ....ummm, I guess I forgot JJJ's punchline. I just remember he cussed a lot.
When you open 10 of those it actually turns into a nice music.
By my reckoning we should have the teaser within an hour or so...
I will probably gt caned for this but.......
[size="6"][/size]LEEROOOOY JENNNKKINNSSSSSSSSS
[size="6"][/size]LEEROOOOY JENNNKKINNSSSSSSSSS
Suicide rates must be going up
Can someone link me to the original "please stand by" pic so I can put it on my ava and join the club? The ntext on this one is too small :x
Is this topic closed yet?
QUOTE(k99 @ Jun 5 2007, 07:58 AM)
oh c'mon, it's almost 9 am there... get up and put the teaser on the site, so we could see it and bash you later
+1
Sharpening my pitchfork as we speak.
All hell will break loose.
Ti's een aardig zootje aan het worden!!
Gogogogo
Gogogogo
brand new brightened interlaced avatar
http://img507.imageshack.us/img507/431/standbyavatarmw4.jpg
http://img507.imageshack.us/img507/431/standbyavatarmw4.jpg
QUOTE(Google @ Jun 5 2007, 10:58 PM)
ban this man... no one questions the singing mutant
Hey I never said he wasn't hilarious.
You know, I really doubt they meant they would release it at midnight today their time. Probably more like 9am-10am their time.
Which isn't for a while longer, considering I think most game development companies are on PST time zone.
Crazy europeans staying up all night. The game won't even be released over in europe for at least 3-4 more months after it is in the U.S.
Which isn't for a while longer, considering I think most game development companies are on PST time zone.
Crazy europeans staying up all night. The game won't even be released over in europe for at least 3-4 more months after it is in the U.S.
QUOTE(SleepyByte @ Jun 6 2007, 12:58 AM)
Actualy thread 14 was done in 16 min
we can beat that!!!!!!!
QUOTE(Google @ Jun 5 2007, 02:58 PM)
ban this man... no one questions the singing mutant
Whos questioning the singing jet mutant? Do you know its the main theme for Fallout 3???????
BTW WHERES THE TEASER?
HOLY CALAMITY
AN EXPERT'S GUIDE TO MASTERING FALLOUT
=============================================
==============================================
===============================================
Last updated June 21, 2000
This FAQ is copyrighted by the author and may be freely distributed so long as
it appears in its complete, unaltered, and unplagarized form. This FAQ may not
be sold for monetary gain or be republished/reproduced, in part or in whole,
for any reason whatsoever, without the express permission of the author.
Copyrighted by Cole Simmons, A.K.A. Kazorky Pantz, June 2000
Kazorky_pantz@hotmail.com
ABOUT THIS GUIDE
---------------------------
After playing the excellent game Fallout extensively, I have decided to share
what I believe is the best, easiest possible way to not only solve every quest
in the game, but also to achieve such hallmarks as obtaining the maximum level
possible for your character, increasing your stats to their maximum levels,
and finding out why exactly the world of Fallout is as it is in the first
place. I did not write this guide in order to explain things to you, however;
you will have to make your own discoveries regarding the plot and sub-themes
in the game.
TABLE OF CONTENTS
---------------------------
A. GETTING STARTED
1. Character creation
2. Some Rather Important Game tips
B. Vault 13 / Shady Sands
C. Vault 15
D. Junktown
E. The Hub
F. Necropolis
G. Vault 13
H. Shady Sands / The Khans
I. The Hub
J. The Glow
K. The Brotherhood
L. Gettin' Stronger
M. The Hub
N. Adytown
O. The Military Base
P. The Brotherhood
Q. The Military Base
S. Gettin' Stronger Still
T. The Cathedral
U. The End (sorta)
So, without further ado....
A. Gettin' Started
===================================
1. Your Character
---------------------
This guide really refers only to one type of character, but it is, in my
opinion, the character best suited for the completion and enjoyment of the
game.
What I advise you to do:
STR: 5
END: 5
PEC: 7
INT: 7
CHR: 5
AGI: 5
LCK: 6
Why I advise you to do this: Increased Perception lets you shoot things with
guns a long way away with more accuracy. Increased Intelligence lets you gain
more skill points per level, and also increases the amount of experience you
get from certain tasks. Increased Luck actually helps quite a bit -- you're
more likely to succeed in using skills, hitting targets, causing critical
hits, gambling well, and basically doing anything you want to do a little
better. Besides, if you don't have sufficient luck, there's no way you'll be
able to find the ULTIMATE WEAPON in Fallout.
My preferred tag skills:
Small Guns (recommended above all other skills. Being able to shoot guns
good is ESSENTIAL to blazing through Fallout without a whole lot of fuss.)
Gambling (get your gambling skills over about 75% with good luck and you'll
never have to worry about money. EVER.)
The last is a toss-up between Energy Weapons and Speech. Speech is always
good to have, but Energy Weapons is a necessity a lot sooner than you'd think
-- and a tag helps a LOT to become proficient in their use earlier.
My preferred Traits are Skilled and Gifted. Gifted is an awesome trait -- +1
point to every attribute for the cost of 5 skill points per level, a decrease
in your overall skill percentages, and a perk every four levels instead of
three (which has never bothered me, I don't rely on perks). To balance out
the loss of skill percentages, I choose Skilled -- it will bring your skills
back to beyond their original levels and negate the loss of skill points that
Gifted causes. So basically, with these two, you gain +1 to all attributes
and a few percentage points for all skills for the cost of decreased Perk
frequency. In my eyes, it's an easy choice.
The name, sex, and age of your character are inconsequential.
2. Some Rather Important Game Tips
------------------------------------------
My game tips aren't like anybody else's, I guarantee. But I can get a level
17 character in a day, and I always get at least 100,000 caps before I cease
my play, so go figure.
1. In combat, always use targeted shots if using a rifle or pistol of any
kind. Try to get close to your enemy, and shoot them repeatedly in the
eyeballs. Usually, with a good Luck and good Perception and good Small Guns
skills, you can kill any foe in one good shot by doing this.
2. When browsing over your fallen foes' corpses, pick up only money and
healing chems (unless you happen to see they have better guns or armor than
yours, or you need ammo -- and then leave behind any discarded munitions or
armor on their bodies.) Carrying around thirty guns and leather jackets is
really pointless. Take what you need, but don't play the pack rat.
3. Don't use Stimpaks or the like unless you're severely wounded (your HP
counter is yellow). Stimpaks are your friends -- but don't waste them.
You'll be a lot happier if you end the game by facing the legions of minigun
toting super mutants with an inventory of 150+ Stimpaks -- quite easy if
you're conservative throughout the game.
4. Don't do drugs. Drugs are bad. (Actually, this is a personal thing; if
you enjoy being addicted to chems and having the wildly fluxuating stats that
accompanies their use, then be my guest. I just stay away from them; I don't
need them.)
5. Be careful who you kill. Don't shoot little kids, even by accident -- I
hate nothing more than to have important people who I plan on completing
quests for suddenly start shooting me because of a bad shot -- if this
happens, reload your game and try again.
6. SAVE OFTEN. I MEAN, A LOT. I MEAN, SAVE AFTER EVERY BATTLE, EVERY
JOURNEY FROM TOWN TO TOWN, EVERY LITTLE THING THAT SEEMS IN THE REMOTEST WAY
RELEVANT TO THE GAME. A good character can get you through the game easily,
but that doesn't mean that some yahoo with a 10mm piece of crap can't get
lucky and critically hit you in the eyeball for 274 HP worth of damage. And
if that happens while you're two steps from beating the game, and you saved
back after leaving Vault 13 the first time, you're not going to be real nice
to friends and family for days following.
7. GET THE PATCH to v1.1! This is essential. Not only does it fix a lot of
stupid bugs and glitches, it removes the time limit from the game -- if you
don't get it, you'll have to complete the game in 500 days, and that really
sucks. Trust me. So UPGRADE.
8. Personally, I prefer to play the Good Guy. I just like being the champion
of humanity in this game, though it's a choice you could deviate from and
still have fun with the game. However, there are more experience points to be
gained from peaceful solutions to problems, and being a Good Guy will
definitely get the right people to like you in the right situations. Just a
thought to ponder.
9. Here is a list of Perks that will, I assure you, help you to become a
walking incarnation of death in the world.
For your first Perk, choose Toughness. Choose it again a few times until
something better comes along. I prefer to gain all three ranks of it, the 30%
damage resistance boost makes me laugh derisively later on when raiders
attempt in vain to do even a single HP worth of damage to me.
More criticals is another Perk I like to stock up in. More criticals is fun.
Here's the best Perk combo in the game:
Action Boy (one rank)
Bonus Rate of Fire (must be level 9)
With these two, and the Ultimate Weapon, (to be mentioned later), you can
easily do about 180 HP of damage to your enemies every turn, sometimes upward
of 600HP. This'll be explained later.)
10. If, at any point in your journeying, you happen to come across a crashed
UFO with two alien bodies next to it, SEARCH THE BODIES AND TAKE THE GUN.
TAKE IT. TAKE IT. KEEP IT. DON'T SELL IT. DON'T LOOSE IT. KEEP IT.
11. If, at any point in your journeying, you happen to come across a lone
traveler going through the mountains, make sure you TALK TO HIM ABOUT SINGING,
and ASK HIM ABOUT THE CELTIC SONG. This will boost your charisma by one
point. This is the only time in the game you can improve your charisma.
12. When you've worked up your weapons skills and gambling skills, try
working on the doctor skill. It's MUCH better than the first aid skill, can
repair broken limbs, and does 10-15 HP worth of healing with each use at high
levels.
That's about it. The rest of what you need to know, you'll find below.
(I'm a poet but don't know it.)
B. VAULT 13 / SHADY SANDS
=====================================
Vault 13 and the area beyond are barely worth mentioning at the moment.
Search the corpse next to you, pick up what you want, arm yourself with the
10mm, and kill all the rats in the area. There are 20 of them. This may not
seem like fun, but its 500 experience points (XP from now on), and that's
halfway to the second level.
Once you've done this, leave the vault and head for Vault 15, but stop in at
the unknown city on the way -- Shady Sands.
There are only a few things to do in Shady Sands, but you'll leave with at
least one level up for doing them.
1. Talk to Katrina at the gate about everything you can. This'll earn you
about 300 xp.
2. Search all the bookcases in the town except for the one in Razlo's (the
doctor) house -- he doesn't appreciate it. You'll find throughout the town
some ammo, a rope, and a few books that will increase your outdoorsmanship
skill.
3. Talk to Ian in the guardhouse to the east of the gate, and ask him for
directions to Junktown and the Hub. Also ask him to assist you -- you may
have to offer a share of the loot a few times, but he SHOULD come with you
without being paid. Once he agrees, steal his money from him -- he doesn't
need it and won't get mad if you take it.
4. Talk to Seth, the man by the gate. Get him to take you to the Radscorpion
caves, and kill all the scorpions. Take them one at a time, strike from as
far away as you can, and let Ian do most of the work. Once you've killed them
all, grab one of their tails and go back to town.
5. Go to Razlo's hut, give him the tail, and give the antidote he makes to
the sick man in the back room.
6. Go to the second part of town to the east, and talk to the farmer out in
the garden. Talk to him about crop rotation for 500 xp.
That's it. You're done with Shady Sands for now. Leave the way you came, and
go over to Vault 15.
C. VAULT 15
============================
Vault 15 is pretty cut-and-dry. With Ian in tow, of course, go through all
three levels of the vault (accessed by going down the ladder in the shed) and
kill every single rat and variation of rat that you find. You'll need a rope
to go down the elevators, but you'll find another in a locker on level 2 and
you should have brought one from Shady Sands to go down the first one. In
Vault 15, you'll also find a leather jacket and a 10mm SMG, a small machine
gun that works wonders with burst mode. When you get to the very end of level
3, you'll get a chunk of xp. After that, clean up the rest of the rat
infestation and go back out the way you came. Next stop: Junktown.
D. JUNKTOWN
=============================
Junktown is a fun place to make your name known -- for good or for evil. If
you prefer to take the high moral road, though, you'll find it much easier
(and rewarding) in the long haul. Trust me.
Here's what you need to do:
1. Nothing much in the first area. Search everything you want, get healed by
Doc Morbid if you mind the cost. (If you want, you can go down the ladder in
the hospital and talk to the midget -- he'll tell you about Doc Morbid's
rather odd scheme. You can capitalize on that later, but I just avoid the
evil doctor entirely.)
2. Go north to the second part of the city and go in Darkwater's, the shop to
the east. SAVE YOUR GAME, and then talk to Killian. After you're done
talking to him, Kenji (some guy in red) will attack him; empty a clip into
Kenji and end combat. If Ian happened to get his stupid but in the way of
Killian's shots, or you accidentally hit a guard, or something terrible
happens and you end up fighting all of Junktown, you'll know why I told you to
save beforehand.
3. When Killian asks you to help with the Gizmo problem, say yes, and you'll
get a tape recorder and microphone.
4. Go to the Crash-House Inn and buy one night's sleep. You'll awake in the
night with the landlady screaming at you; save the game and go talk to the
crazy guy in the adjacent room. Be calm and polite to him, keep talking, and
eventually tell him he can just leave and won't be bothered. You'll get
1000xp (and Sinthia will make it worth your while... hee hee).
5. Go north to the third part of the city and into Gizmo's casino. At the
end of the building, you'll find the big G man himself; talk to him. Take a
hypothetical situation in the conversation, get Gizmo to hire you, and ask
what his motive is. Try not to say anything stupid. When you've been asked
to leave, go back to Killian and play the tape for him. When he asks you if
you want to help take Gizmo down, say yes, and go back to the guard standing
just inside the gate to the town, Lars. Talk to Lars, and go fight Gizmo.
What I do here is basically shoot Gizmo in the eyes a few times, and if Izo
gives me any trouble I do the same for him too. This fight should end quick.
6. Get your reward from Lars and go search Gizmo's place.
7. Find Phil and the troublesome dog in the same area of town as the casino;
if you walk up the dog with a leather jacket on, he'll think you're his owner
and come with you. If you don't have a leather jacket, give the dog a piece
of meat (you can find one in the casino), and he'll come with you. Your new
friend is Dogmeat, one of the most popular NPCs and allies in Fallout. He
won't last through the whole game, but you'll greatly enjoy the memories
you'll share.
8. Go to the Skum Pitt north of Phil's house and go in around evening. Talk
to everybody, and soon one of the Skulz inside will start some trouble with
Trish, the waitress, and as a result loose a variety of body parts. Talk to
Trish, ask her about Saul. Talk to the singing guy, compliment him, and get
directions to the Brotherhood and Adytown. Talk to Tycho, and ask him about
the dangers of his travels, how he survived, and about his survival skills.
He'll ask if you want to learn a few pointers, agree, and you'll get a boost
to your Outdoorsmanship skills. Then tell him you're cleaning up the Skulz,
and ask him to help. Tycho rocks; you'll wish Ian would just go away after
you see how Tycho handles himself.
9. Go north of the casino and talk to Saul, the boxer. Talk to him about his
family and why he stays in Junktown. Talk about Trish, and how she feels
about him boxing. This will get you a few hundred xp.
10. Go in the Skum Pitt and rest till morning. Take the urn on the bar and
go to the Crash-House. Go in the part that the Skulz are staying in, talk to
Vinnie, and ask him if you can join. Show him the urn, say you have other
stuff to do before you kill Neal, and go talk to Lars.
11. Lars will ask you to help them bust the Skulz; agree and you'll have a
good fight. You have Tycho, Dogmeat, Ian, and about six police officers on
your side, though, and it shouldn't be too hard. When you've won, give Neal
the urn back for more xp and that's it. You're done with Junktown.
E. THE HUB
===============================
The Hub is a really cool place, but you won't be here long on your first go-
through. There are only a couple of reasons to go here now.
1. Go to the Maltese Falcon bar/casino in the second area of the Hub. If you
gambling skill is above about 50%, talk to the dealer by the roulette tables
and hold down the 1 and 4 buttons on your keyboard for about ten minutes, or
weigh them down. You can start with as little money as 100 caps and when you
come back, you should have several tens of thousands. With gambling really
high, it's possible to win thirty thousand caps in a couple of minutes.
2. Once you have enough money, go to the library in the same part of town and
buy as many books you need to get your skills in the related areas about 91%;
books can't increase skills beyond that percentage unless you're playing on an
easier difficulty setting. If you run out of money, go gamble some more until
you have enough.
3. Once your skills are raised enough, take another chunk of change from the
casino and go buy some stimpaks and whatever else you want from the midget in
the convenience store. Then go take one more chunk of money and go to the
part of town to the east, Oldtown. In one of the buildings there you'll find
a weapons dealer; buy some combat armor, a sniper rifle, some .233 ammo for
the rifle, and if you want, a combat shotgun for Tycho and maybe a .44 for
Ian. (To equip them, just steal from them, plant the weapons and ammo in
their inventory, and tell them to draw their best weapons next time they're in
combat.)
That's all for now -- you have great armor, a great weapon, an infinite source
of money, and the ability to lay down some serious smack. Time to swing by
Necropolis.
F. NECROPOLIS
=========================
Necropolis is a rather large and complex town with several rather simple tasks
to perform.
1. First area : kill all ghouls standing in the street. Find the sewer
cover, descend.
2. Sewers below first area: kill all rats, find path to sewer below second
area (it's in the north).
3. Sewers below second area: talk to ghouls and agree to help them fix the
water pump. Kill all rats, find ladder to above-ground second area.
4. Second area: kill everybody and everything.
(Okay, that one warrants some explaining. There are a LOT of ghouls here, and
they're all evil. They're begging for you to kill them in their own evil way.
First, kill every ghoul you find on the street and in the small buildings near
the sewer cover. Next, there's a church to the north here, and inside is the
ghoul leader, Set, and his minions. A full frontal assault will usually be
VERY difficult and get your companions killed, so do this:
Go to the north side of the church ON THE OUTSIDE, stand in front of a window
into one of the side rooms, and snipe everybody inside in the eyes. They
won't retaliate. Repeat at the other two rooms. Then go to the other side of
the church and repeat. Once you've killed all the ghouls you can snipe, go in
the front and take out the remainders. It shouldn't be too hard. Grab some
stuff from the corpses and environment.)
5. Now that you've killed all the ghouls in the central part of town, go back
down into the sewers and find the path leading to the third area north of your
current position. Climb up the ladder, kill the ghouls you find, and save
your game.
6. There are six mutants in this part of town -- some are pansies, one is
mean and has a laser rifle, and one is a wuss but has a flamer (which is BAD
news to somebody at a low level.) Kill the first mutant you see from a
distance. The next mutant is in the water shed to the north; snipe at him
from the window to the rear of the building. He shouldn't be a problem; keep
sniping through that window if the other three in the hall attack. The rest
shouldn't be a problem either. There's one more in the small building to the
east of where you are (roughly); kill him two.
7. Go down the sewer cover, kill the rats, grab the junk you'll find down
there.
8. Go back to the peaceful ghouls in the sewer; they'll give you some books
if your repair skill is too low.
9. Go back to the watershed (where the mutants were), find the pump, and use
the parts on it until they work.
10. Go south in that same building, lockpick the jail cell if you can and
talk to the ghoul there for 500 xp.
11. Find the sewer cover in the room by the jail cells, go down. Kill all
ghouls you find on all three levels of the vault down there, find the working
water computer on level 3 and search it to find the Water Chip.
And that's it. Take the chip back to Vault 13 and you will have completed
your first major quest in the game.
G. VAULT 13 (AGAIN)
=================================
There aren't many things to do in Vault 13, but nonetheless you'll leave with
a LOT more xp than you came with. Listed below are some things to do in your
brief stay:
1. On the second level of the vault (the living quarters), find the red-
haired lady in the room to the north and talk to her about the Overseer's
concern for the vault. This'll get you about 700 xp.
2. On the third level, talk to the guy in front of the storage rooms, and
find out about the water thief. Go in the room adjacent to the storage room
and hide, then rest until midnight. You'll see a vault dweller go through the
hall soon after; wait until he's looked in a box in the storage room, then
confront him. Threaten him if you need to, but look in his pockets. You'll
get 1000xp for solving this quest.
3. On the third level, find the Overseer and talk to him (you'll have to
stand directly in front of him to do so.) You'll get 7,500xp.
4. If your character is old enough, you can use one of the computers in the
library for a few hundred xp.
5. Go back and talk to the Overseer again, then leave the vault and head back
to shady sands.
H. SHADY SANDS (again)
===============================
Things have gotten a little bad in Shady Sands since your last visit. The
Khans have kidnapped Tandi, and everybody's pissed. So go to the raider's
camp and find Garl, their leader. You can either fight him hand to hand for
Tandi's release, or you can threaten him with powers you can't explain --
he'll let her go if you do. Return Tandi to her town, talk to Aradesh for
your reward, then return to the Khan's camp and kill every last one of 'em
(except for the slaves). This should be no problem with your Sniper rifle and
combat armor and with Tycho beside you toting a combat shotgun, so I won't go
into detail. When you've wiped them out, go back to the Hub.
I. THE HUB (for the second time)
=========================================
As said before, there are a lot of things to do in the Hub, but yet again I'm
advising you to stop in only for some money (if you need any) and some anti-
radiation chems this time. To get the chems, you can talk to Vander -- he's a
peddler living in Old Town on the far east side. Just ask him to sell to you
and buy some Rad-Aways (about four) and some Rad-X (about four). Once you
have those (and a rope), you'll be heading out towards the Glow. Also, it
would be quite a good idea to get at least about 25,000 caps before leaving --
that won't take you too long.
J. THE GLOW
==========================
The Glow may not be on your map at this point in the game. It's easy to find,
however. Just head South-East from the Hub and keep going that way until you
see a big crater on the map with one of those green circles around it (that
means it's a location you can explore in detail.) Stop at a square adjacent
to the crater on the map and double-click your location to go to the close-up
screen. Take two Rad-Xs, then go to the glow. For now, you only have two
tasks here.
1. Use the rope on the beam hanging over the crater to create a way down.
Climb down the rope.
2. Run around the first level searching all the bodies. You'll find a yellow
key card that you should hang onto, and also a holotape that you can use in
your inventory for 100 xp. Once you have the tape, you can leave the Glow and
head towards the Brotherhood.
(If you find later on that you have been radiated, just take a Rad-away and
your problem should be solved.)
K. THE BROTHERHOOD OF STEEL
===================================
The Brotherhood is a GREAT place to improve upon your character. Here's what
you need to do:
1. Talk to the door guard and ask him if you can join, then find out about
the quest. You've actually already done this; the tape from the Glow was the
relic you needed to find. Talk to the guard again and give him the tape.
He'll open the door for you.
2. On the first level, find the gym in the east room and stand by the mat and
listen to the instructor. If you listen to the whole course, you'll get 500xp
and a boost to your unarmed and melee skills.
3. Talk to Talus in the gym to learn about the trapped initiate.
4. Talk to Michael by the gym to get some good stuff. Don't ask for power
armor, though -- you can get it somewhere else in this building.
5. On the second level, you'll find the scribes. Talk to Vree about using
computers, weapon designs, basically everything available. When she directs
you to the computer terminal, use it. Talk to Sophia about the history of the
Brotherhood and you'll get a holotape. (Every time you get one of these, use
it in your inventory to learn its contents -- they'll appear of the status
menu on your PipBoy.)
6. Also on the 2 (or perhaps 3rd, I'm not sure) level, you'll find the
doctor. She'll cure your radiation poisoning at any time, as well as heal
you, for free. Also, if you ask her about the operations, you can boost each
available stat one point, one time, for a few thousand caps. Do this for all
available stats.
7. On level 3, you'll find the workshop in the eastern corner, where a suit
of power armor is waiting to be repaired. Talk to the mechanic in there, then
go talk to Michael. Tell him you need a systolic motivator, but you don't
have the papers, although it's imperative. Then beg. He'll give you the
part; go take it to the mechanic again. Use the repair skill on the suit, and
put that bad boy on. You're now just one step below the best armor in the
game.
For now, you're done with the Brotherhood. Leave now, for it's time to build
your character into the most lethal man/woman on the planet.
L. GETTIN' STRONGER
===============================
This part is slightly boring, but you'll be VERY happy you do it later on.
What you need to do, basically, is wander around the map. Wander anywhere
except the North-west and South-east; the South-east is radioactive in the
area around the Glow, and the North-west is full of really tough guys with
miniguns and the like. You might not fare well at this point against those
behemoths. But anyway, you need to just wander, kill all hostiles you find in
the random encounters, and keep your eyes open for special encounters. This
is what you're looking for:
A crashed UFO with two aliens alongside it. On the body of one you'll find
the Alien Blaster, a small pistol. THIS IS THE BEST WEAPON IN THE GAME.
DON'T LET ANYBODY TELL YOU OTHERWISE.
It holds 35 shots of Small Energy Cells, which are lightweight anyway. The
gun weighs very little (as compared to the larger energy weapons and their
ammo). It only costs four AP to shoot. And it does 40-70HP worth of damage
WITH EACH SHOT! No other gun in the game does this. If you find this gun and
your energy guns skill is at 100% or around there, USE IT NOW AND NEVER STOP.
If your energy guns skill is lacking, BUILD IT UP EVERY CHANCE YOU GET. When
you get the ability to choose these perks, GET THEM IMMEDIATELY:
Action Boy (one rank)
Bonus Rate of Fire (one rank)
With one rank of Action Boy, you can fire one targeted shot and one untargeted
shot with the Alien Blaster each turn. (BTW, a critical hit in the eyes with
the Alien Blaster does 150-350HP. I've killed DeathClaws with one shot before
with this gun.) With the Bonus Rate of Fire Perk, you can fire THREE
untargeted shots each round (each doing 40-70HP of damage!). With this gun
and these perks, NOTHING CAN STAND IN YOUR WAY.
Obviously, don't stop looking until you've found this gun. Once you have it,
start stocking up on Small Energy Cells.
Also, look for the lone traveler in the mountains, and when you find him make
sure you talk to him about singing and ask about the Celtic song. This will
boost your charisma by a point -- you can do this nowhere else in the game.
And that's it. This 'Gettin Stronger' section isn't really about levels, it's
about getting the Alien Blaster -- the Ultimate Weapon in Fallout. Once you
have it, you'll find yourself grinning with contempt every time some two-bit
raider tries to attack you with a 10mm gun -- and when you have the two Perks
mentioned above, you can kill three hostiles every turn. This is a HIGHLY
IMPORTANT step to mastering Fallout.
M. THE HUB (time to do some stuff now)
===============================================
Okay, you have the second best armor in the game. You have the best weapon in
the game. You have buttloads of money and an itchy trigger finger.
Hopefully, you have a high karma and the will to make it even higher. The Hub
is definitely the place to be. Here's what you can do:
1. Buy whatever you want first. The Hub is the best place in the game to
find most everything you could want.
2. Find the poor farmer in the south-west corner of Downtown, the one who's
resting in the ruins of a building. Get him to tell you about his problems
and offer to help. He'll take you to the farm he was kicked out of; just kill
all the raiders inside. The best way to do this is to open the door, then
move to the side and let them come to you one by one. It really shouldn't
matter, though -- you can easily vaporize them with the Alien Blaster. When
you're done, leave. You'll appear back in Downtown near Ivan; he'll give you
a sawed-off .233 rifle, one of the most powerful non-energy pistols in the
game. If Ian's still alive at this point,(which he never seems to be when
playing with me) give him that pistol if he doesn't have something better
already.
3. Go in the Maltese Falcon and talk to Kane, the guy in black standing by
the bar. He'll offer you a job, agree to hear about it and you'll find
yourself talking to Decker. When Decker asks if you want the job, say no and
leave. (You can say yes and get 500 caps from Kane, but when you double-cross
Decker later the quest will stay on your PipBoy screen, and that's just
annoying to me.) Go to the Police Station and tell Sheriff Green Decker tried
to hire you to kill Hightower. Agree to come with the fuzz and you'll end up
fighting Decker and his merry bunch.
This is sorta tough, just because of Kane. Kane is the resident bad-@$$ of
the Hub -- he can kill you QUICK unless you have some GOOD armor and still he
can be a pain. What's even more frightening about him, aside from the obscene
amount of damage he can absorb, is he fights so well with only his FISTS.
Anyway, Kane should be your first and foremost priority. There's a guy with a
sledgehammer in the room, but you shouldn't take hardly any damage from him
with the power armor. Shoot Kane repeatedly in the eyes if you can, just
anywhere if you can't. With the Blaster, you shouldn't waste more than three
or four turns on him anyway. Then kill Decker, and the rest of his posse will
surrender. After you get your reward from the sheriff, you can go back down
there and loot the corpses (there's a staircase in the room behind where Kane
was).
4. Go talk to Butch in the Far-Go Traders office and he'll offer you the job
of finding the missing caravans. (Butch is an idiot.) After you've talked to
him and Rutger, his assistant, go find Beth in her weapons shop just to the
south a little ways. Talk to her about the deathclaw and the only person
who's seen it. Then go find Uncle Slappy in OldTown; talk to him about the
deathclaw. He'll tell you to talk to Harold, who's in the building right
behind him. Talk to Harold, then go talk to Slappy again and get him to take
you to see the deathclaw. Go into the caves a short distance and you'll find
the deathclaw.
The deathclaw is a mean SOB. The instant you even CROSS his line of sight, no
matter how far away you are, he'll be off after you. He's fast. He hits
hard. He hits often. He has about 250+ HP.
But, with the Alien Blaster, you can kill him in two turns, one if you're
lucky, a couple more if you're not. Shoot at the eyes when you can, and he'll
die soon enough.
When he's dead, talk to the mutant, and you'll get a holotape. (Don't' forget
to read it.)
Take the holotape to Butch, tell him your story, then tell Rutger the same
story and you'll get your reward for solving the quest.
5. Go to OldTown again. In the building directly to the south of the
entrance grid, you'll see a building with some tough, mean guards. These are
the guys holding the Brotherhood initiate captive. Just walk up to the
window, fire a few blasts into the eyes of the people nearest you, kill those
who come running out to fight, and lockpick the door to the back room to free
the initiate.
6. If you want, you can find the stairway leading down in OldTown and climb
down it to find the Thieves' Den. Lockpick all the doors, avoid the traps (or
just run through them like I do), and talk to the thieves. You can ask to
join them if you want, in which case you'll have to steal the necklace from
Hightower (everybody hates this guy, apparently). That's easy enough. Go to
the Heights (west of Downtown) at midnight, sneak into Hightower's house when
the door guard walks away, find his footlocker, lockpick it and avoid the
trap, grab the necklace, and bring it back to the Den.
And that's it for now. Later, the Hub becomes a good place to gain experience
through the Crimson Caravan, but for now you have more important things to do.
Leave the Hub and head to Adytown (which was formerly Los Angeles; you can see
by the map at the entry screen.)
O. ADYTOWN
=====================
Adytown is a seemingly nice city at first, but one you talk to people and dig
up some dirt, you'll find that it's got some rather terrible problems that are
just begging for you to eradicate. Do this:
1. Talk to Zimmerman in the second building to the south-west of your entry.
He's allegedly the 'mayor' of the town, but you'll soon learn he's not the
authority in Adytown. He'll tell you to help him get revenge for the death of
his son -- agree.
2. Find Chuck the fortune teller to the far south-east of the city and keep
talking to him, being polite of course, until you find that your Luck has
improved by one point.
3. Go north to the next area in the town, where the Blades reside. Find the
leader of the Blades and tell her you've come to pay her back for killing
Zimmerman's son. She'll start cussing a lot, and tell you about the
Regulator's evil deeds. Agree to help her by giving the disk to Zimmerman and
also getting help from the Gunrunners, and she'll give you a holotape.
4. Here, you have two choices:
a. help the Blades by getting the Gunrunner's aide
b. help the Blades by single-handedly taking on every single Regulator in
Adytown.
I MUCH prefer the second choice. It's a lot easier, IMHO, and you have no
risk of losing Smitty and Miles, the blacksmith and chemist, which is likely
if you help the gunrunners now. So, if you want the easy road, chose the
second.
Here's what you do. Take the disk to Zimmerman. He'll get mad, then dead.
Kill the Regulators you see, then go through town killing the rest. The game
won't tell you when you've gotten them all, but the townspeople will be saying
things like 'Now we can start a new life' and 'This town is better with the
Regulators gone.' It's pretty self-explanatory.
5. With the Regulators gone, go talk to the leader of the Blades again to get
the xp for the quest. Also talk to the Scottish guy in front of the Blade's
building and get him to teach you some hand-to-hand skills.
6. Go east of the Blade's area of town to find the Warehouse, where about
three or four DEATHCLAWS are just walking around. Kill 'em. It may be
slightly difficult, but far from impossible. When they're dead, find the dead
guy to the east, and search him to find some junk. Then find the stairs in
the warehouse, go down them, kill the Mother Deathclaw and her eggs. (You can
leave them alive if you want to, and keep killing the respawning deathclaws
for xp, but the battles are tough and there are easier ways to get xp, so I
choose to kill them all quick.)
7. Go east of the warehouse to find the gunrunner's fortress. Go in, talk to
their leader, tell them the deathclaws are dead, and you'll have free access
to the hordes of weapons that they have (although that's rather pointless at
this part of the game; you have the UTLIMATE WEAPON, remember?)
8. Take the junk you found in the warehouse back to Miles, the chemist in
Adytown, and he'll tell you to take them to Smitty. Do that, then take them
back, and you'll get some xp. Also, if you talk to Miles again, he'll tell
you about the chemical hardening process for your power armor -- agree to help
him, go to the Hub again, talk to the librarian, get the journals, and take
them back to Miles to upgrade your armor into the Hardened Power Armor, the
best armor in the game.
And that's the end of that. If you want, you can get another ally from the
Followers of the Apocalypse to the west of the Blades, Katja, but I think she
sucks anyway, and my companions have a bad habit of dying, so I don't. Your
next stop is ... THE MUTANT BASE!!!
P. THE MILITARY BASE
===============================
Okay, this one's really only a "Okay, I'm here, time to go" deal. Head north-
west, a VERY long way, until you find a new location. You may encounter some
patrols on the way -- save often, because miniguns with critical hits kill you
nearly every time, but besides that the patrols should give you no trouble.
When you find the base, enter it, then go back to the Brotherhood. Now is not
the time...
Q. THE BROTHERHOOD (one last time)
==========================================
This stop is purely for xp. Go to the fourth level, find General Maxson, tell
him what you saw up at the base. Argue that a counter-strike is needed. Then
go to the meeting room and argue with the elders there. They'll agree to send
out a force to help you, and you'll get some xp. That's it.
You can also tell Talus, who's in the gym, about your rescue of the initiate.
Time to go to the Military Base again -- this time you're going as the
HABRINGER OF DOOM.
R. THE MILITARY BASE
============================
Okay, this is fun. MUTIES MUST DIE is really your main priority here. There
ARE ways to go about this in a stealthy, sneaky sort of way, but this is the
EXPERT'S guide to Fallout -- which means I want you to go in with gun blazing.
It's worth more xp and it's much more fun.
Here's how it goes:
1. At the entrance, kill the four or five guards you find. What with the
Paladins helping and everything, this should just be gory, not difficult.
Search the remains of the guards and you'll find a bunch of radios (take one)
and a holotape (read it). Use the radio and tell the base there's a bunch of
hostile humans attacking, requesting back-up at the location to the south.
2. Open the door and go in. You can bypass any GREEN force field in the
building by using the repair skill on the generator by the field, and you can
just run through a red field, but you take damage. Kill everybody on this
level. (Good advice for fighting mutants -- fire at them from a doorway, then
move and let them come to you one at a time. Standing in the midst of a crowd
is begging for trouble.)
3. On the eastern side of level 1, you'll find a computer along the wall
that's labeled just 'computer', not 'Mach IV computer'. Use your science
skill on it to earn some experience points.
4. Find another computer labeled like that and use your science skills on it,
then just use it to gain an interface. You can adjust the movement parameters
on the pest control to nothing to make the sentry robots not move, but don't
adjust any other parameters.
5. Go to level 2 and kill everybody. Search the lockers for good stuff.
6. Go to level 3 and kill everybody. Find the elevator to level 4.
7. On level 4, kill the muties most immediate your position, repair the Mr.
Handy, and tell him to complete his task. Kill everybody else -- make sure
you save before fighting the Lieutenant of the Master's Army -- he's a tough
one. (And his death is spectacularly nasty -- you might want to watch it
again and again.)
8. When you've looted all you want and you're tired of the military base, go
to the vat control room on the fourth floor, laugh at the funny exploding
people, hack into the computer, and set the base on the three minute silent
self destruct mode. Then RUN RUN RUN out of the place, and don't stop until
you're on the world map again. You'll see some pretty fireworks, and if you
go back to the base you'll see the destruction you've cause, and 10,000 more
xp on your character.
S. GETTIN' STRONGER STILL
===================================
Well, you've crippled the Master's army, you've stopped production of mutant
reinforcements, you've rid every city you've stopped in of its seedy
underbelly of crime and hatred and apathy, evil across the face of the world
fears you, and you have impenetrable armor and the most lethal weapon ever to
grace the surface of your world. What now?
You need to be stronger. At this time, you most likely won't have much
trouble at all with the final quest in the game, but nonetheless it's really
cool to have a level 21 character -- and it's quite easy to get one.
There are two ways. One is the easy way, one is the easier but slower way.
The easier but slower way is the Crimson Caravan, whose office is in the
downtown area of the Hub. There are caravans leaving the Hub every 3rd and
17th day of every month; just talk to the lady in the Crimson Caravan office
and tell her where you want to go. Touring with the caravans will present you
with huge crowds of raiders, large swarms of manti, a few hostile ghouls, and
the occasional deathclaw. More importantly, you can always get a handful of
stimpaks from a tour with the caravans, and the fights (even the ones where
you're mobbed by twenty raiders at once) are VERY easy to somebody of your
abilities and armament. Just keep going back and forth with the caravans,
resting between to pass the time between journeys, and you'll gain a level up
pretty frequently. You'll also end up with a lot of stimpaks.
The other option is to keep finding random encounters up by the military base.
Each patrol you decimate will give you 1,000 to 2,000 xp, and unless you
happen to get torn to shreds by a lucky minigun blast, these aren't too hard.
Hit the centaurs first if there are any, then mutants with miniguns or
flamers, then floaters, then the rest. Don't worry about the wusses punching
you while you do this.
Doing either of these things will get your levels up pretty quick if you just
spend enough time doing them.
If you want, you can also take a trip to the Glow -- bring Rad-X and Rad-
aways, then find the keycards to the elevators and explore the place. The
robots you'll find can (and should) be killed while inactive, you'll get the
same amount of xp and they won't attack back. You can repair the generator on
level 6, and on all levels there are lockers and safes in the wall providing
tons of ammo and also lots of information on the FEV virus. It's worth the
trip.
Another way to get a high level is to clear out the Cathedral, home of the
Master of the mutant army....
T. THE CATHEDRAL OF THE MASTER
======================================
This is the birthplace of all the evil conspiracies in the Fallout world... a
creepy, disturbing place. Fun, too, and a good source of xp.
Here's what you need to do:
1. Upon entering the cathedral, I advise you not to kill just whoever you
want. I know they're all a bunch of annoying idiots, but killing these people
will decrease your karma -- and that's just a personal thing, but I like my
karma and rarely do anything in the game to lower it. Kill if you want, don't
kill if you don't.
2. In the cathedral interior, find and talk to Lasher -- the angry guy to the
north-west. If you convince him you need to talk to Morpheus, the leader of
the Children, he'll give you a badge that will unlock the doors in here. Or
you can kill him and take it. Your choice.
3. Find the locked door to the north-east and either use the badge on it or
lockpick it. Go up the stairs to each successive level of the cathedral,
killing all the Nightkin (they're really just mutants with StealthBoys, not
ghosts), and when you get to Morpheus . . . kill him too. Now go back down
the stairs, go to the left a little ways, and you'll find another flight of
stairs going down. Go down, walk to the end of the basement at the right
corner, and wait for the secret door to open. Kill the guy who comes out,
then proceed beyond the door, killing everything and everybody that comes
between you and progress. Repeat on the first floor. If you hack into one of
the computers in the medical room, you can get some xp.
4. On the second floor, kill all the muties and scientists. Free the
prisoners by using the terminal on the wall ... poor prisoners. Talk to the
crazy people in the room to the north-west, and ask them about the weird
things they talk about, then ask them about nullification to get a psychic
nullifier. This REALLY comes in handy when you fight the Master.
5. On the third floor, just kill everybody. If you proceed through the door
on the east side of the floor, you'll see a nasty hall -- this leads to the
Master.
What I do is go in, kill all the muties and crazies in the Vault under the
Cathedral, and leave. You get a lot of xp, and you won't finish the game.
(Killing the Master ends the game.) When you're ready, you can finish him,
but that level 21 character is still waiting to be achieved...
If you want to kill the Master now, it's quite easy. Just walk up to him and
start shooting him in the eyeballs when you're done talking. He'll shoot you
back, of course, but all he has is a dual-laser chaingun, and those things
don't do diddly squat. Mutants will spawn in the chamber behind you, but if
you SAVE YOUR GAME IN COMBAT AND LOAD IT BACK, THEY'LL BE GONE! I don't know
if anybody else has discovered that, but it'll keep the room clear while
you're killing the Master. When he dies, just run out of the place onto the
world map before the explosion starts, and the game's over.
If you got the tape from Vree concerning the mutant's sterility, you can also
convince him to commit suicide -- but that's no fun...
Anyway, that's the end of the cathedral.
U. THE END -- OF THE GUIDE
===================================
Basically, that's everything worth doing in Fallout. Getting a level 21
character is really the final quest, in my opinion. You have the best armor,
best weapons, and everything else that anybody could want in the game -- just
have fun killing evil people over and over again. I take much joy in wiping
villainous scum from the face of the earth in this game, and having them not
be able to even hurt you makes it even more fun -- if you've worked long and
hard to achieve that invincibility. (Cheating sux, BTW).
Fun things to do at this point include experimenting with different weapons
(you should be proficient in all weapon use at this point), taking on hordes
of raiders with your bare hands, or trying to wade through a murderous crowd
with a super-sledge hammer or flamer. Or, if you're so inclined, you could
try killing every person in every town. (Hee hee.)
But regardless, I hoped you enjoyed my guide, and I hope it helped.
If you have any questions or comments, you can Email me at
Kazorky_pantz@hotmail.com
Copyrighted by Cole Simmons, A.K.A. Kazorky Pantz, June 2000
Kazorky_pantz@hotmail.com
The Spoiler Centre
AN EXPERT'S GUIDE TO MASTERING FALLOUT
=============================================
==============================================
===============================================
Last updated June 21, 2000
This FAQ is copyrighted by the author and may be freely distributed so long as
it appears in its complete, unaltered, and unplagarized form. This FAQ may not
be sold for monetary gain or be republished/reproduced, in part or in whole,
for any reason whatsoever, without the express permission of the author.
Copyrighted by Cole Simmons, A.K.A. Kazorky Pantz, June 2000
Kazorky_pantz@hotmail.com
ABOUT THIS GUIDE
---------------------------
After playing the excellent game Fallout extensively, I have decided to share
what I believe is the best, easiest possible way to not only solve every quest
in the game, but also to achieve such hallmarks as obtaining the maximum level
possible for your character, increasing your stats to their maximum levels,
and finding out why exactly the world of Fallout is as it is in the first
place. I did not write this guide in order to explain things to you, however;
you will have to make your own discoveries regarding the plot and sub-themes
in the game.
TABLE OF CONTENTS
---------------------------
A. GETTING STARTED
1. Character creation
2. Some Rather Important Game tips
B. Vault 13 / Shady Sands
C. Vault 15
D. Junktown
E. The Hub
F. Necropolis
G. Vault 13
H. Shady Sands / The Khans
I. The Hub
J. The Glow
K. The Brotherhood
L. Gettin' Stronger
M. The Hub
N. Adytown
O. The Military Base
P. The Brotherhood
Q. The Military Base
S. Gettin' Stronger Still
T. The Cathedral
U. The End (sorta)
So, without further ado....
A. Gettin' Started
===================================
1. Your Character
---------------------
This guide really refers only to one type of character, but it is, in my
opinion, the character best suited for the completion and enjoyment of the
game.
What I advise you to do:
STR: 5
END: 5
PEC: 7
INT: 7
CHR: 5
AGI: 5
LCK: 6
Why I advise you to do this: Increased Perception lets you shoot things with
guns a long way away with more accuracy. Increased Intelligence lets you gain
more skill points per level, and also increases the amount of experience you
get from certain tasks. Increased Luck actually helps quite a bit -- you're
more likely to succeed in using skills, hitting targets, causing critical
hits, gambling well, and basically doing anything you want to do a little
better. Besides, if you don't have sufficient luck, there's no way you'll be
able to find the ULTIMATE WEAPON in Fallout.
My preferred tag skills:
Small Guns (recommended above all other skills. Being able to shoot guns
good is ESSENTIAL to blazing through Fallout without a whole lot of fuss.)
Gambling (get your gambling skills over about 75% with good luck and you'll
never have to worry about money. EVER.)
The last is a toss-up between Energy Weapons and Speech. Speech is always
good to have, but Energy Weapons is a necessity a lot sooner than you'd think
-- and a tag helps a LOT to become proficient in their use earlier.
My preferred Traits are Skilled and Gifted. Gifted is an awesome trait -- +1
point to every attribute for the cost of 5 skill points per level, a decrease
in your overall skill percentages, and a perk every four levels instead of
three (which has never bothered me, I don't rely on perks). To balance out
the loss of skill percentages, I choose Skilled -- it will bring your skills
back to beyond their original levels and negate the loss of skill points that
Gifted causes. So basically, with these two, you gain +1 to all attributes
and a few percentage points for all skills for the cost of decreased Perk
frequency. In my eyes, it's an easy choice.
The name, sex, and age of your character are inconsequential.
2. Some Rather Important Game Tips
------------------------------------------
My game tips aren't like anybody else's, I guarantee. But I can get a level
17 character in a day, and I always get at least 100,000 caps before I cease
my play, so go figure.
1. In combat, always use targeted shots if using a rifle or pistol of any
kind. Try to get close to your enemy, and shoot them repeatedly in the
eyeballs. Usually, with a good Luck and good Perception and good Small Guns
skills, you can kill any foe in one good shot by doing this.
2. When browsing over your fallen foes' corpses, pick up only money and
healing chems (unless you happen to see they have better guns or armor than
yours, or you need ammo -- and then leave behind any discarded munitions or
armor on their bodies.) Carrying around thirty guns and leather jackets is
really pointless. Take what you need, but don't play the pack rat.
3. Don't use Stimpaks or the like unless you're severely wounded (your HP
counter is yellow). Stimpaks are your friends -- but don't waste them.
You'll be a lot happier if you end the game by facing the legions of minigun
toting super mutants with an inventory of 150+ Stimpaks -- quite easy if
you're conservative throughout the game.
4. Don't do drugs. Drugs are bad. (Actually, this is a personal thing; if
you enjoy being addicted to chems and having the wildly fluxuating stats that
accompanies their use, then be my guest. I just stay away from them; I don't
need them.)
5. Be careful who you kill. Don't shoot little kids, even by accident -- I
hate nothing more than to have important people who I plan on completing
quests for suddenly start shooting me because of a bad shot -- if this
happens, reload your game and try again.
6. SAVE OFTEN. I MEAN, A LOT. I MEAN, SAVE AFTER EVERY BATTLE, EVERY
JOURNEY FROM TOWN TO TOWN, EVERY LITTLE THING THAT SEEMS IN THE REMOTEST WAY
RELEVANT TO THE GAME. A good character can get you through the game easily,
but that doesn't mean that some yahoo with a 10mm piece of crap can't get
lucky and critically hit you in the eyeball for 274 HP worth of damage. And
if that happens while you're two steps from beating the game, and you saved
back after leaving Vault 13 the first time, you're not going to be real nice
to friends and family for days following.
7. GET THE PATCH to v1.1! This is essential. Not only does it fix a lot of
stupid bugs and glitches, it removes the time limit from the game -- if you
don't get it, you'll have to complete the game in 500 days, and that really
sucks. Trust me. So UPGRADE.
8. Personally, I prefer to play the Good Guy. I just like being the champion
of humanity in this game, though it's a choice you could deviate from and
still have fun with the game. However, there are more experience points to be
gained from peaceful solutions to problems, and being a Good Guy will
definitely get the right people to like you in the right situations. Just a
thought to ponder.
9. Here is a list of Perks that will, I assure you, help you to become a
walking incarnation of death in the world.
For your first Perk, choose Toughness. Choose it again a few times until
something better comes along. I prefer to gain all three ranks of it, the 30%
damage resistance boost makes me laugh derisively later on when raiders
attempt in vain to do even a single HP worth of damage to me.
More criticals is another Perk I like to stock up in. More criticals is fun.
Here's the best Perk combo in the game:
Action Boy (one rank)
Bonus Rate of Fire (must be level 9)
With these two, and the Ultimate Weapon, (to be mentioned later), you can
easily do about 180 HP of damage to your enemies every turn, sometimes upward
of 600HP. This'll be explained later.)
10. If, at any point in your journeying, you happen to come across a crashed
UFO with two alien bodies next to it, SEARCH THE BODIES AND TAKE THE GUN.
TAKE IT. TAKE IT. KEEP IT. DON'T SELL IT. DON'T LOOSE IT. KEEP IT.
11. If, at any point in your journeying, you happen to come across a lone
traveler going through the mountains, make sure you TALK TO HIM ABOUT SINGING,
and ASK HIM ABOUT THE CELTIC SONG. This will boost your charisma by one
point. This is the only time in the game you can improve your charisma.
12. When you've worked up your weapons skills and gambling skills, try
working on the doctor skill. It's MUCH better than the first aid skill, can
repair broken limbs, and does 10-15 HP worth of healing with each use at high
levels.
That's about it. The rest of what you need to know, you'll find below.
(I'm a poet but don't know it.)
B. VAULT 13 / SHADY SANDS
=====================================
Vault 13 and the area beyond are barely worth mentioning at the moment.
Search the corpse next to you, pick up what you want, arm yourself with the
10mm, and kill all the rats in the area. There are 20 of them. This may not
seem like fun, but its 500 experience points (XP from now on), and that's
halfway to the second level.
Once you've done this, leave the vault and head for Vault 15, but stop in at
the unknown city on the way -- Shady Sands.
There are only a few things to do in Shady Sands, but you'll leave with at
least one level up for doing them.
1. Talk to Katrina at the gate about everything you can. This'll earn you
about 300 xp.
2. Search all the bookcases in the town except for the one in Razlo's (the
doctor) house -- he doesn't appreciate it. You'll find throughout the town
some ammo, a rope, and a few books that will increase your outdoorsmanship
skill.
3. Talk to Ian in the guardhouse to the east of the gate, and ask him for
directions to Junktown and the Hub. Also ask him to assist you -- you may
have to offer a share of the loot a few times, but he SHOULD come with you
without being paid. Once he agrees, steal his money from him -- he doesn't
need it and won't get mad if you take it.
4. Talk to Seth, the man by the gate. Get him to take you to the Radscorpion
caves, and kill all the scorpions. Take them one at a time, strike from as
far away as you can, and let Ian do most of the work. Once you've killed them
all, grab one of their tails and go back to town.
5. Go to Razlo's hut, give him the tail, and give the antidote he makes to
the sick man in the back room.
6. Go to the second part of town to the east, and talk to the farmer out in
the garden. Talk to him about crop rotation for 500 xp.
That's it. You're done with Shady Sands for now. Leave the way you came, and
go over to Vault 15.
C. VAULT 15
============================
Vault 15 is pretty cut-and-dry. With Ian in tow, of course, go through all
three levels of the vault (accessed by going down the ladder in the shed) and
kill every single rat and variation of rat that you find. You'll need a rope
to go down the elevators, but you'll find another in a locker on level 2 and
you should have brought one from Shady Sands to go down the first one. In
Vault 15, you'll also find a leather jacket and a 10mm SMG, a small machine
gun that works wonders with burst mode. When you get to the very end of level
3, you'll get a chunk of xp. After that, clean up the rest of the rat
infestation and go back out the way you came. Next stop: Junktown.
D. JUNKTOWN
=============================
Junktown is a fun place to make your name known -- for good or for evil. If
you prefer to take the high moral road, though, you'll find it much easier
(and rewarding) in the long haul. Trust me.
Here's what you need to do:
1. Nothing much in the first area. Search everything you want, get healed by
Doc Morbid if you mind the cost. (If you want, you can go down the ladder in
the hospital and talk to the midget -- he'll tell you about Doc Morbid's
rather odd scheme. You can capitalize on that later, but I just avoid the
evil doctor entirely.)
2. Go north to the second part of the city and go in Darkwater's, the shop to
the east. SAVE YOUR GAME, and then talk to Killian. After you're done
talking to him, Kenji (some guy in red) will attack him; empty a clip into
Kenji and end combat. If Ian happened to get his stupid but in the way of
Killian's shots, or you accidentally hit a guard, or something terrible
happens and you end up fighting all of Junktown, you'll know why I told you to
save beforehand.
3. When Killian asks you to help with the Gizmo problem, say yes, and you'll
get a tape recorder and microphone.
4. Go to the Crash-House Inn and buy one night's sleep. You'll awake in the
night with the landlady screaming at you; save the game and go talk to the
crazy guy in the adjacent room. Be calm and polite to him, keep talking, and
eventually tell him he can just leave and won't be bothered. You'll get
1000xp (and Sinthia will make it worth your while... hee hee).
5. Go north to the third part of the city and into Gizmo's casino. At the
end of the building, you'll find the big G man himself; talk to him. Take a
hypothetical situation in the conversation, get Gizmo to hire you, and ask
what his motive is. Try not to say anything stupid. When you've been asked
to leave, go back to Killian and play the tape for him. When he asks you if
you want to help take Gizmo down, say yes, and go back to the guard standing
just inside the gate to the town, Lars. Talk to Lars, and go fight Gizmo.
What I do here is basically shoot Gizmo in the eyes a few times, and if Izo
gives me any trouble I do the same for him too. This fight should end quick.
6. Get your reward from Lars and go search Gizmo's place.
7. Find Phil and the troublesome dog in the same area of town as the casino;
if you walk up the dog with a leather jacket on, he'll think you're his owner
and come with you. If you don't have a leather jacket, give the dog a piece
of meat (you can find one in the casino), and he'll come with you. Your new
friend is Dogmeat, one of the most popular NPCs and allies in Fallout. He
won't last through the whole game, but you'll greatly enjoy the memories
you'll share.
8. Go to the Skum Pitt north of Phil's house and go in around evening. Talk
to everybody, and soon one of the Skulz inside will start some trouble with
Trish, the waitress, and as a result loose a variety of body parts. Talk to
Trish, ask her about Saul. Talk to the singing guy, compliment him, and get
directions to the Brotherhood and Adytown. Talk to Tycho, and ask him about
the dangers of his travels, how he survived, and about his survival skills.
He'll ask if you want to learn a few pointers, agree, and you'll get a boost
to your Outdoorsmanship skills. Then tell him you're cleaning up the Skulz,
and ask him to help. Tycho rocks; you'll wish Ian would just go away after
you see how Tycho handles himself.
9. Go north of the casino and talk to Saul, the boxer. Talk to him about his
family and why he stays in Junktown. Talk about Trish, and how she feels
about him boxing. This will get you a few hundred xp.
10. Go in the Skum Pitt and rest till morning. Take the urn on the bar and
go to the Crash-House. Go in the part that the Skulz are staying in, talk to
Vinnie, and ask him if you can join. Show him the urn, say you have other
stuff to do before you kill Neal, and go talk to Lars.
11. Lars will ask you to help them bust the Skulz; agree and you'll have a
good fight. You have Tycho, Dogmeat, Ian, and about six police officers on
your side, though, and it shouldn't be too hard. When you've won, give Neal
the urn back for more xp and that's it. You're done with Junktown.
E. THE HUB
===============================
The Hub is a really cool place, but you won't be here long on your first go-
through. There are only a couple of reasons to go here now.
1. Go to the Maltese Falcon bar/casino in the second area of the Hub. If you
gambling skill is above about 50%, talk to the dealer by the roulette tables
and hold down the 1 and 4 buttons on your keyboard for about ten minutes, or
weigh them down. You can start with as little money as 100 caps and when you
come back, you should have several tens of thousands. With gambling really
high, it's possible to win thirty thousand caps in a couple of minutes.
2. Once you have enough money, go to the library in the same part of town and
buy as many books you need to get your skills in the related areas about 91%;
books can't increase skills beyond that percentage unless you're playing on an
easier difficulty setting. If you run out of money, go gamble some more until
you have enough.
3. Once your skills are raised enough, take another chunk of change from the
casino and go buy some stimpaks and whatever else you want from the midget in
the convenience store. Then go take one more chunk of money and go to the
part of town to the east, Oldtown. In one of the buildings there you'll find
a weapons dealer; buy some combat armor, a sniper rifle, some .233 ammo for
the rifle, and if you want, a combat shotgun for Tycho and maybe a .44 for
Ian. (To equip them, just steal from them, plant the weapons and ammo in
their inventory, and tell them to draw their best weapons next time they're in
combat.)
That's all for now -- you have great armor, a great weapon, an infinite source
of money, and the ability to lay down some serious smack. Time to swing by
Necropolis.
F. NECROPOLIS
=========================
Necropolis is a rather large and complex town with several rather simple tasks
to perform.
1. First area : kill all ghouls standing in the street. Find the sewer
cover, descend.
2. Sewers below first area: kill all rats, find path to sewer below second
area (it's in the north).
3. Sewers below second area: talk to ghouls and agree to help them fix the
water pump. Kill all rats, find ladder to above-ground second area.
4. Second area: kill everybody and everything.
(Okay, that one warrants some explaining. There are a LOT of ghouls here, and
they're all evil. They're begging for you to kill them in their own evil way.
First, kill every ghoul you find on the street and in the small buildings near
the sewer cover. Next, there's a church to the north here, and inside is the
ghoul leader, Set, and his minions. A full frontal assault will usually be
VERY difficult and get your companions killed, so do this:
Go to the north side of the church ON THE OUTSIDE, stand in front of a window
into one of the side rooms, and snipe everybody inside in the eyes. They
won't retaliate. Repeat at the other two rooms. Then go to the other side of
the church and repeat. Once you've killed all the ghouls you can snipe, go in
the front and take out the remainders. It shouldn't be too hard. Grab some
stuff from the corpses and environment.)
5. Now that you've killed all the ghouls in the central part of town, go back
down into the sewers and find the path leading to the third area north of your
current position. Climb up the ladder, kill the ghouls you find, and save
your game.
6. There are six mutants in this part of town -- some are pansies, one is
mean and has a laser rifle, and one is a wuss but has a flamer (which is BAD
news to somebody at a low level.) Kill the first mutant you see from a
distance. The next mutant is in the water shed to the north; snipe at him
from the window to the rear of the building. He shouldn't be a problem; keep
sniping through that window if the other three in the hall attack. The rest
shouldn't be a problem either. There's one more in the small building to the
east of where you are (roughly); kill him two.
7. Go down the sewer cover, kill the rats, grab the junk you'll find down
there.
8. Go back to the peaceful ghouls in the sewer; they'll give you some books
if your repair skill is too low.
9. Go back to the watershed (where the mutants were), find the pump, and use
the parts on it until they work.
10. Go south in that same building, lockpick the jail cell if you can and
talk to the ghoul there for 500 xp.
11. Find the sewer cover in the room by the jail cells, go down. Kill all
ghouls you find on all three levels of the vault down there, find the working
water computer on level 3 and search it to find the Water Chip.
And that's it. Take the chip back to Vault 13 and you will have completed
your first major quest in the game.
G. VAULT 13 (AGAIN)
=================================
There aren't many things to do in Vault 13, but nonetheless you'll leave with
a LOT more xp than you came with. Listed below are some things to do in your
brief stay:
1. On the second level of the vault (the living quarters), find the red-
haired lady in the room to the north and talk to her about the Overseer's
concern for the vault. This'll get you about 700 xp.
2. On the third level, talk to the guy in front of the storage rooms, and
find out about the water thief. Go in the room adjacent to the storage room
and hide, then rest until midnight. You'll see a vault dweller go through the
hall soon after; wait until he's looked in a box in the storage room, then
confront him. Threaten him if you need to, but look in his pockets. You'll
get 1000xp for solving this quest.
3. On the third level, find the Overseer and talk to him (you'll have to
stand directly in front of him to do so.) You'll get 7,500xp.
4. If your character is old enough, you can use one of the computers in the
library for a few hundred xp.
5. Go back and talk to the Overseer again, then leave the vault and head back
to shady sands.
H. SHADY SANDS (again)
===============================
Things have gotten a little bad in Shady Sands since your last visit. The
Khans have kidnapped Tandi, and everybody's pissed. So go to the raider's
camp and find Garl, their leader. You can either fight him hand to hand for
Tandi's release, or you can threaten him with powers you can't explain --
he'll let her go if you do. Return Tandi to her town, talk to Aradesh for
your reward, then return to the Khan's camp and kill every last one of 'em
(except for the slaves). This should be no problem with your Sniper rifle and
combat armor and with Tycho beside you toting a combat shotgun, so I won't go
into detail. When you've wiped them out, go back to the Hub.
I. THE HUB (for the second time)
=========================================
As said before, there are a lot of things to do in the Hub, but yet again I'm
advising you to stop in only for some money (if you need any) and some anti-
radiation chems this time. To get the chems, you can talk to Vander -- he's a
peddler living in Old Town on the far east side. Just ask him to sell to you
and buy some Rad-Aways (about four) and some Rad-X (about four). Once you
have those (and a rope), you'll be heading out towards the Glow. Also, it
would be quite a good idea to get at least about 25,000 caps before leaving --
that won't take you too long.
J. THE GLOW
==========================
The Glow may not be on your map at this point in the game. It's easy to find,
however. Just head South-East from the Hub and keep going that way until you
see a big crater on the map with one of those green circles around it (that
means it's a location you can explore in detail.) Stop at a square adjacent
to the crater on the map and double-click your location to go to the close-up
screen. Take two Rad-Xs, then go to the glow. For now, you only have two
tasks here.
1. Use the rope on the beam hanging over the crater to create a way down.
Climb down the rope.
2. Run around the first level searching all the bodies. You'll find a yellow
key card that you should hang onto, and also a holotape that you can use in
your inventory for 100 xp. Once you have the tape, you can leave the Glow and
head towards the Brotherhood.
(If you find later on that you have been radiated, just take a Rad-away and
your problem should be solved.)
K. THE BROTHERHOOD OF STEEL
===================================
The Brotherhood is a GREAT place to improve upon your character. Here's what
you need to do:
1. Talk to the door guard and ask him if you can join, then find out about
the quest. You've actually already done this; the tape from the Glow was the
relic you needed to find. Talk to the guard again and give him the tape.
He'll open the door for you.
2. On the first level, find the gym in the east room and stand by the mat and
listen to the instructor. If you listen to the whole course, you'll get 500xp
and a boost to your unarmed and melee skills.
3. Talk to Talus in the gym to learn about the trapped initiate.
4. Talk to Michael by the gym to get some good stuff. Don't ask for power
armor, though -- you can get it somewhere else in this building.
5. On the second level, you'll find the scribes. Talk to Vree about using
computers, weapon designs, basically everything available. When she directs
you to the computer terminal, use it. Talk to Sophia about the history of the
Brotherhood and you'll get a holotape. (Every time you get one of these, use
it in your inventory to learn its contents -- they'll appear of the status
menu on your PipBoy.)
6. Also on the 2 (or perhaps 3rd, I'm not sure) level, you'll find the
doctor. She'll cure your radiation poisoning at any time, as well as heal
you, for free. Also, if you ask her about the operations, you can boost each
available stat one point, one time, for a few thousand caps. Do this for all
available stats.
7. On level 3, you'll find the workshop in the eastern corner, where a suit
of power armor is waiting to be repaired. Talk to the mechanic in there, then
go talk to Michael. Tell him you need a systolic motivator, but you don't
have the papers, although it's imperative. Then beg. He'll give you the
part; go take it to the mechanic again. Use the repair skill on the suit, and
put that bad boy on. You're now just one step below the best armor in the
game.
For now, you're done with the Brotherhood. Leave now, for it's time to build
your character into the most lethal man/woman on the planet.
L. GETTIN' STRONGER
===============================
This part is slightly boring, but you'll be VERY happy you do it later on.
What you need to do, basically, is wander around the map. Wander anywhere
except the North-west and South-east; the South-east is radioactive in the
area around the Glow, and the North-west is full of really tough guys with
miniguns and the like. You might not fare well at this point against those
behemoths. But anyway, you need to just wander, kill all hostiles you find in
the random encounters, and keep your eyes open for special encounters. This
is what you're looking for:
A crashed UFO with two aliens alongside it. On the body of one you'll find
the Alien Blaster, a small pistol. THIS IS THE BEST WEAPON IN THE GAME.
DON'T LET ANYBODY TELL YOU OTHERWISE.
It holds 35 shots of Small Energy Cells, which are lightweight anyway. The
gun weighs very little (as compared to the larger energy weapons and their
ammo). It only costs four AP to shoot. And it does 40-70HP worth of damage
WITH EACH SHOT! No other gun in the game does this. If you find this gun and
your energy guns skill is at 100% or around there, USE IT NOW AND NEVER STOP.
If your energy guns skill is lacking, BUILD IT UP EVERY CHANCE YOU GET. When
you get the ability to choose these perks, GET THEM IMMEDIATELY:
Action Boy (one rank)
Bonus Rate of Fire (one rank)
With one rank of Action Boy, you can fire one targeted shot and one untargeted
shot with the Alien Blaster each turn. (BTW, a critical hit in the eyes with
the Alien Blaster does 150-350HP. I've killed DeathClaws with one shot before
with this gun.) With the Bonus Rate of Fire Perk, you can fire THREE
untargeted shots each round (each doing 40-70HP of damage!). With this gun
and these perks, NOTHING CAN STAND IN YOUR WAY.
Obviously, don't stop looking until you've found this gun. Once you have it,
start stocking up on Small Energy Cells.
Also, look for the lone traveler in the mountains, and when you find him make
sure you talk to him about singing and ask about the Celtic song. This will
boost your charisma by a point -- you can do this nowhere else in the game.
And that's it. This 'Gettin Stronger' section isn't really about levels, it's
about getting the Alien Blaster -- the Ultimate Weapon in Fallout. Once you
have it, you'll find yourself grinning with contempt every time some two-bit
raider tries to attack you with a 10mm gun -- and when you have the two Perks
mentioned above, you can kill three hostiles every turn. This is a HIGHLY
IMPORTANT step to mastering Fallout.
M. THE HUB (time to do some stuff now)
===============================================
Okay, you have the second best armor in the game. You have the best weapon in
the game. You have buttloads of money and an itchy trigger finger.
Hopefully, you have a high karma and the will to make it even higher. The Hub
is definitely the place to be. Here's what you can do:
1. Buy whatever you want first. The Hub is the best place in the game to
find most everything you could want.
2. Find the poor farmer in the south-west corner of Downtown, the one who's
resting in the ruins of a building. Get him to tell you about his problems
and offer to help. He'll take you to the farm he was kicked out of; just kill
all the raiders inside. The best way to do this is to open the door, then
move to the side and let them come to you one by one. It really shouldn't
matter, though -- you can easily vaporize them with the Alien Blaster. When
you're done, leave. You'll appear back in Downtown near Ivan; he'll give you
a sawed-off .233 rifle, one of the most powerful non-energy pistols in the
game. If Ian's still alive at this point,(which he never seems to be when
playing with me) give him that pistol if he doesn't have something better
already.
3. Go in the Maltese Falcon and talk to Kane, the guy in black standing by
the bar. He'll offer you a job, agree to hear about it and you'll find
yourself talking to Decker. When Decker asks if you want the job, say no and
leave. (You can say yes and get 500 caps from Kane, but when you double-cross
Decker later the quest will stay on your PipBoy screen, and that's just
annoying to me.) Go to the Police Station and tell Sheriff Green Decker tried
to hire you to kill Hightower. Agree to come with the fuzz and you'll end up
fighting Decker and his merry bunch.
This is sorta tough, just because of Kane. Kane is the resident bad-@$$ of
the Hub -- he can kill you QUICK unless you have some GOOD armor and still he
can be a pain. What's even more frightening about him, aside from the obscene
amount of damage he can absorb, is he fights so well with only his FISTS.
Anyway, Kane should be your first and foremost priority. There's a guy with a
sledgehammer in the room, but you shouldn't take hardly any damage from him
with the power armor. Shoot Kane repeatedly in the eyes if you can, just
anywhere if you can't. With the Blaster, you shouldn't waste more than three
or four turns on him anyway. Then kill Decker, and the rest of his posse will
surrender. After you get your reward from the sheriff, you can go back down
there and loot the corpses (there's a staircase in the room behind where Kane
was).
4. Go talk to Butch in the Far-Go Traders office and he'll offer you the job
of finding the missing caravans. (Butch is an idiot.) After you've talked to
him and Rutger, his assistant, go find Beth in her weapons shop just to the
south a little ways. Talk to her about the deathclaw and the only person
who's seen it. Then go find Uncle Slappy in OldTown; talk to him about the
deathclaw. He'll tell you to talk to Harold, who's in the building right
behind him. Talk to Harold, then go talk to Slappy again and get him to take
you to see the deathclaw. Go into the caves a short distance and you'll find
the deathclaw.
The deathclaw is a mean SOB. The instant you even CROSS his line of sight, no
matter how far away you are, he'll be off after you. He's fast. He hits
hard. He hits often. He has about 250+ HP.
But, with the Alien Blaster, you can kill him in two turns, one if you're
lucky, a couple more if you're not. Shoot at the eyes when you can, and he'll
die soon enough.
When he's dead, talk to the mutant, and you'll get a holotape. (Don't' forget
to read it.)
Take the holotape to Butch, tell him your story, then tell Rutger the same
story and you'll get your reward for solving the quest.
5. Go to OldTown again. In the building directly to the south of the
entrance grid, you'll see a building with some tough, mean guards. These are
the guys holding the Brotherhood initiate captive. Just walk up to the
window, fire a few blasts into the eyes of the people nearest you, kill those
who come running out to fight, and lockpick the door to the back room to free
the initiate.
6. If you want, you can find the stairway leading down in OldTown and climb
down it to find the Thieves' Den. Lockpick all the doors, avoid the traps (or
just run through them like I do), and talk to the thieves. You can ask to
join them if you want, in which case you'll have to steal the necklace from
Hightower (everybody hates this guy, apparently). That's easy enough. Go to
the Heights (west of Downtown) at midnight, sneak into Hightower's house when
the door guard walks away, find his footlocker, lockpick it and avoid the
trap, grab the necklace, and bring it back to the Den.
And that's it for now. Later, the Hub becomes a good place to gain experience
through the Crimson Caravan, but for now you have more important things to do.
Leave the Hub and head to Adytown (which was formerly Los Angeles; you can see
by the map at the entry screen.)
O. ADYTOWN
=====================
Adytown is a seemingly nice city at first, but one you talk to people and dig
up some dirt, you'll find that it's got some rather terrible problems that are
just begging for you to eradicate. Do this:
1. Talk to Zimmerman in the second building to the south-west of your entry.
He's allegedly the 'mayor' of the town, but you'll soon learn he's not the
authority in Adytown. He'll tell you to help him get revenge for the death of
his son -- agree.
2. Find Chuck the fortune teller to the far south-east of the city and keep
talking to him, being polite of course, until you find that your Luck has
improved by one point.
3. Go north to the next area in the town, where the Blades reside. Find the
leader of the Blades and tell her you've come to pay her back for killing
Zimmerman's son. She'll start cussing a lot, and tell you about the
Regulator's evil deeds. Agree to help her by giving the disk to Zimmerman and
also getting help from the Gunrunners, and she'll give you a holotape.
4. Here, you have two choices:
a. help the Blades by getting the Gunrunner's aide
b. help the Blades by single-handedly taking on every single Regulator in
Adytown.
I MUCH prefer the second choice. It's a lot easier, IMHO, and you have no
risk of losing Smitty and Miles, the blacksmith and chemist, which is likely
if you help the gunrunners now. So, if you want the easy road, chose the
second.
Here's what you do. Take the disk to Zimmerman. He'll get mad, then dead.
Kill the Regulators you see, then go through town killing the rest. The game
won't tell you when you've gotten them all, but the townspeople will be saying
things like 'Now we can start a new life' and 'This town is better with the
Regulators gone.' It's pretty self-explanatory.
5. With the Regulators gone, go talk to the leader of the Blades again to get
the xp for the quest. Also talk to the Scottish guy in front of the Blade's
building and get him to teach you some hand-to-hand skills.
6. Go east of the Blade's area of town to find the Warehouse, where about
three or four DEATHCLAWS are just walking around. Kill 'em. It may be
slightly difficult, but far from impossible. When they're dead, find the dead
guy to the east, and search him to find some junk. Then find the stairs in
the warehouse, go down them, kill the Mother Deathclaw and her eggs. (You can
leave them alive if you want to, and keep killing the respawning deathclaws
for xp, but the battles are tough and there are easier ways to get xp, so I
choose to kill them all quick.)
7. Go east of the warehouse to find the gunrunner's fortress. Go in, talk to
their leader, tell them the deathclaws are dead, and you'll have free access
to the hordes of weapons that they have (although that's rather pointless at
this part of the game; you have the UTLIMATE WEAPON, remember?)
8. Take the junk you found in the warehouse back to Miles, the chemist in
Adytown, and he'll tell you to take them to Smitty. Do that, then take them
back, and you'll get some xp. Also, if you talk to Miles again, he'll tell
you about the chemical hardening process for your power armor -- agree to help
him, go to the Hub again, talk to the librarian, get the journals, and take
them back to Miles to upgrade your armor into the Hardened Power Armor, the
best armor in the game.
And that's the end of that. If you want, you can get another ally from the
Followers of the Apocalypse to the west of the Blades, Katja, but I think she
sucks anyway, and my companions have a bad habit of dying, so I don't. Your
next stop is ... THE MUTANT BASE!!!
P. THE MILITARY BASE
===============================
Okay, this one's really only a "Okay, I'm here, time to go" deal. Head north-
west, a VERY long way, until you find a new location. You may encounter some
patrols on the way -- save often, because miniguns with critical hits kill you
nearly every time, but besides that the patrols should give you no trouble.
When you find the base, enter it, then go back to the Brotherhood. Now is not
the time...
Q. THE BROTHERHOOD (one last time)
==========================================
This stop is purely for xp. Go to the fourth level, find General Maxson, tell
him what you saw up at the base. Argue that a counter-strike is needed. Then
go to the meeting room and argue with the elders there. They'll agree to send
out a force to help you, and you'll get some xp. That's it.
You can also tell Talus, who's in the gym, about your rescue of the initiate.
Time to go to the Military Base again -- this time you're going as the
HABRINGER OF DOOM.
R. THE MILITARY BASE
============================
Okay, this is fun. MUTIES MUST DIE is really your main priority here. There
ARE ways to go about this in a stealthy, sneaky sort of way, but this is the
EXPERT'S guide to Fallout -- which means I want you to go in with gun blazing.
It's worth more xp and it's much more fun.
Here's how it goes:
1. At the entrance, kill the four or five guards you find. What with the
Paladins helping and everything, this should just be gory, not difficult.
Search the remains of the guards and you'll find a bunch of radios (take one)
and a holotape (read it). Use the radio and tell the base there's a bunch of
hostile humans attacking, requesting back-up at the location to the south.
2. Open the door and go in. You can bypass any GREEN force field in the
building by using the repair skill on the generator by the field, and you can
just run through a red field, but you take damage. Kill everybody on this
level. (Good advice for fighting mutants -- fire at them from a doorway, then
move and let them come to you one at a time. Standing in the midst of a crowd
is begging for trouble.)
3. On the eastern side of level 1, you'll find a computer along the wall
that's labeled just 'computer', not 'Mach IV computer'. Use your science
skill on it to earn some experience points.
4. Find another computer labeled like that and use your science skills on it,
then just use it to gain an interface. You can adjust the movement parameters
on the pest control to nothing to make the sentry robots not move, but don't
adjust any other parameters.
5. Go to level 2 and kill everybody. Search the lockers for good stuff.
6. Go to level 3 and kill everybody. Find the elevator to level 4.
7. On level 4, kill the muties most immediate your position, repair the Mr.
Handy, and tell him to complete his task. Kill everybody else -- make sure
you save before fighting the Lieutenant of the Master's Army -- he's a tough
one. (And his death is spectacularly nasty -- you might want to watch it
again and again.)
8. When you've looted all you want and you're tired of the military base, go
to the vat control room on the fourth floor, laugh at the funny exploding
people, hack into the computer, and set the base on the three minute silent
self destruct mode. Then RUN RUN RUN out of the place, and don't stop until
you're on the world map again. You'll see some pretty fireworks, and if you
go back to the base you'll see the destruction you've cause, and 10,000 more
xp on your character.
S. GETTIN' STRONGER STILL
===================================
Well, you've crippled the Master's army, you've stopped production of mutant
reinforcements, you've rid every city you've stopped in of its seedy
underbelly of crime and hatred and apathy, evil across the face of the world
fears you, and you have impenetrable armor and the most lethal weapon ever to
grace the surface of your world. What now?
You need to be stronger. At this time, you most likely won't have much
trouble at all with the final quest in the game, but nonetheless it's really
cool to have a level 21 character -- and it's quite easy to get one.
There are two ways. One is the easy way, one is the easier but slower way.
The easier but slower way is the Crimson Caravan, whose office is in the
downtown area of the Hub. There are caravans leaving the Hub every 3rd and
17th day of every month; just talk to the lady in the Crimson Caravan office
and tell her where you want to go. Touring with the caravans will present you
with huge crowds of raiders, large swarms of manti, a few hostile ghouls, and
the occasional deathclaw. More importantly, you can always get a handful of
stimpaks from a tour with the caravans, and the fights (even the ones where
you're mobbed by twenty raiders at once) are VERY easy to somebody of your
abilities and armament. Just keep going back and forth with the caravans,
resting between to pass the time between journeys, and you'll gain a level up
pretty frequently. You'll also end up with a lot of stimpaks.
The other option is to keep finding random encounters up by the military base.
Each patrol you decimate will give you 1,000 to 2,000 xp, and unless you
happen to get torn to shreds by a lucky minigun blast, these aren't too hard.
Hit the centaurs first if there are any, then mutants with miniguns or
flamers, then floaters, then the rest. Don't worry about the wusses punching
you while you do this.
Doing either of these things will get your levels up pretty quick if you just
spend enough time doing them.
If you want, you can also take a trip to the Glow -- bring Rad-X and Rad-
aways, then find the keycards to the elevators and explore the place. The
robots you'll find can (and should) be killed while inactive, you'll get the
same amount of xp and they won't attack back. You can repair the generator on
level 6, and on all levels there are lockers and safes in the wall providing
tons of ammo and also lots of information on the FEV virus. It's worth the
trip.
Another way to get a high level is to clear out the Cathedral, home of the
Master of the mutant army....
T. THE CATHEDRAL OF THE MASTER
======================================
This is the birthplace of all the evil conspiracies in the Fallout world... a
creepy, disturbing place. Fun, too, and a good source of xp.
Here's what you need to do:
1. Upon entering the cathedral, I advise you not to kill just whoever you
want. I know they're all a bunch of annoying idiots, but killing these people
will decrease your karma -- and that's just a personal thing, but I like my
karma and rarely do anything in the game to lower it. Kill if you want, don't
kill if you don't.
2. In the cathedral interior, find and talk to Lasher -- the angry guy to the
north-west. If you convince him you need to talk to Morpheus, the leader of
the Children, he'll give you a badge that will unlock the doors in here. Or
you can kill him and take it. Your choice.
3. Find the locked door to the north-east and either use the badge on it or
lockpick it. Go up the stairs to each successive level of the cathedral,
killing all the Nightkin (they're really just mutants with StealthBoys, not
ghosts), and when you get to Morpheus . . . kill him too. Now go back down
the stairs, go to the left a little ways, and you'll find another flight of
stairs going down. Go down, walk to the end of the basement at the right
corner, and wait for the secret door to open. Kill the guy who comes out,
then proceed beyond the door, killing everything and everybody that comes
between you and progress. Repeat on the first floor. If you hack into one of
the computers in the medical room, you can get some xp.
4. On the second floor, kill all the muties and scientists. Free the
prisoners by using the terminal on the wall ... poor prisoners. Talk to the
crazy people in the room to the north-west, and ask them about the weird
things they talk about, then ask them about nullification to get a psychic
nullifier. This REALLY comes in handy when you fight the Master.
5. On the third floor, just kill everybody. If you proceed through the door
on the east side of the floor, you'll see a nasty hall -- this leads to the
Master.
What I do is go in, kill all the muties and crazies in the Vault under the
Cathedral, and leave. You get a lot of xp, and you won't finish the game.
(Killing the Master ends the game.) When you're ready, you can finish him,
but that level 21 character is still waiting to be achieved...
If you want to kill the Master now, it's quite easy. Just walk up to him and
start shooting him in the eyeballs when you're done talking. He'll shoot you
back, of course, but all he has is a dual-laser chaingun, and those things
don't do diddly squat. Mutants will spawn in the chamber behind you, but if
you SAVE YOUR GAME IN COMBAT AND LOAD IT BACK, THEY'LL BE GONE! I don't know
if anybody else has discovered that, but it'll keep the room clear while
you're killing the Master. When he dies, just run out of the place onto the
world map before the explosion starts, and the game's over.
If you got the tape from Vree concerning the mutant's sterility, you can also
convince him to commit suicide -- but that's no fun...
Anyway, that's the end of the cathedral.
U. THE END -- OF THE GUIDE
===================================
Basically, that's everything worth doing in Fallout. Getting a level 21
character is really the final quest, in my opinion. You have the best armor,
best weapons, and everything else that anybody could want in the game -- just
have fun killing evil people over and over again. I take much joy in wiping
villainous scum from the face of the earth in this game, and having them not
be able to even hurt you makes it even more fun -- if you've worked long and
hard to achieve that invincibility. (Cheating sux, BTW).
Fun things to do at this point include experimenting with different weapons
(you should be proficient in all weapon use at this point), taking on hordes
of raiders with your bare hands, or trying to wade through a murderous crowd
with a super-sledge hammer or flamer. Or, if you're so inclined, you could
try killing every person in every town. (Hee hee.)
But regardless, I hoped you enjoyed my guide, and I hope it helped.
If you have any questions or comments, you can Email me at
Kazorky_pantz@hotmail.com
Copyrighted by Cole Simmons, A.K.A. Kazorky Pantz, June 2000
Kazorky_pantz@hotmail.com
The Spoiler Centre
QUOTE(panzwagen @ Jun 5 2007, 07:54 AM)
Its Lolituma - Leva's Polka
Too many Jet
Too many Jet
I have all the Flash files, the music and the various remixes of it! I must be a very sad person.
QUOTE(amon @ Jun 5 2007, 04:54 PM)
GUYS I HAVE FOUND THE PAGE WHERE THE TEASER WILL APPEAR! HERE!
here
here
xa xa xa xa xa %) funny one ^^
i feel the need.....
wake up bethhhhhhh a nation is going crazy 
Now watching the big kahuna. good movie.
WHERES THE Fuggin tease??
WHERES THE Fuggin tease??
143 posts, I guess a mod is already on stand by :x (haha that's a pun)
Beth should DEFINTALY do an easter egg with this wholw chaos machine you call a forum.
You encounter: really devoted fan waiting for trailer.
You appear some random map with a guy and a PC. Guy is runing around the PC all the time and peeing all over the place. Then al of a sudden he stops, looks at the PC, yells a short YAY!!! and explodes.
You encounter: really devoted fan waiting for trailer.
You appear some random map with a guy and a PC. Guy is runing around the PC all the time and peeing all over the place. Then al of a sudden he stops, looks at the PC, yells a short YAY!!! and explodes.
QUOTE(TheChosen1 @ Jun 5 2007, 05:59 AM)
I will probably gt caned for this but.......
[size="6"][/size]LEEROOOOY JENNNKKINNSSSSSSSSS
[size="6"][/size]LEEROOOOY JENNNKKINNSSSSSSSSS
Ok that made me laugh
I have not heard that in a long time.
One more hour??
