Behtesda, we're holding the forum hostage!

Give uf the fkin teaser or we'll bring it down

OK thats just insane....

I hadn't logged in, when I tried to add reply, and in the time it took me to log in, suddenly there are 2 pages of posts :-)

And I have never seen so many logged in at the bottom of the screen.....

Oh and HURRY UP WITH THE BLOODY TEASER

:-)

Woolfe

Make that 3 pages :-)

FIZZBANG IZ HERE ITS COMMIN A CAN FEEL THE GLOW!!

EdIT: nope he run away! To many for you huh? KISSY + HUG

Bah ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha ha!

My God, nearly peed myself laughing.

I just clicked the refresh and it took a little longer than the past 1500 times... I was sow excited there for a second :'(

As google said
Please Stand By Avatar FTW !!

Let's bet,

i say, teaser will be online after finishing thread #22.

Anyone ?

STANDBY AVATAR FTW

????
Illium, you in pasific not in Turkey. Why that? Illium should be in Turkey.

Its Lolituma - Leva's Polka

Too many Jet

aaaaaargh .......i'm out of jet

LOOOOOOL LOOOOOOOOOOOOOOL

http://img120.imageshack.us/img120/8500/fallout3ea8.swf

that's the funniest thing ever.

The time is getting closer with each post...
DO YOU FEEL IT TOO.......... Jet is flowing in my veins....

That's nothing... there are more people in my bedroom right now

1.6180339887 4989484820 4586834365 6381177203 0917980576
2862135448 6227052604 6281890244 9707207204 1893911374
8475408807 5386891752 1266338622 2353693179 3180060766
7263544333 8908659593 9582905638 3226613199 2829026788
0675208766 8925017116 9620703222 1043216269 5486262963
1361443814 9758701220 3408058879 5445474924 6185695364
8644492410 4432077134 4947049565 8467885098 7433944221
2544877066 4780915884 6074928871 2400765217 0575179788
3416625624 9407589069 7040002812 1042762177 1117778053
1531714101 1704666599 1466979873 1761356006 7087480710
1317952368 9427521948 4353056783 0022878569 9782977834
7845878228 9110976250 0302696156 1700250464 3382437764
8610283831 2683303724 2926752631 1653392473 1671112115
8818638513 3162038400 5222165791 2866752946 5490681131
7159934323 5973494985 0904094762 1322298101 7261070596
1164562990 9816290555 2085247903 5240602017 2799747175
3427775927 7862561943 2082750513 1218156285 5122248093
9471234145 1702237358 0577278616 0086883829 5230459264
7878017889 9219902707 7690389532 1968198615 1437803149
9741106926 0886742962 2675756052 3172777520 3536139362
1076738937 6455606060 5921658946 6759551900 4005559089

LOL, thats the first link I've laughed at tonight/this morning.

GUYS I HAVE FOUND THE PAGE WHERE THE TEASER WILL APPEAR! HERE!
here

quick guys!!


flood the forums!!!

totaly agree : http://img120.imageshack.us/img120/8500/fallout3ea8.swf

and also don't forget to register your country as a Fallout fan ! http://www.bethsoft.com/bgsforums/index.php?showtopic=706267

sigh borred

Dam man hard to keeep up

It's gona blow up this server %)

come on now, Give Me Trailer RaaaR!!!!!

of course. I just wonder is it possible to hit 100 for this " where is the video" thread before the FO3 video being released.

Well there are fifteen hours left of today


Actually situations like this are what the limit is for. The longer a thread is the more server resouces it takes to open up and view, and with so many people viewing the thread keeping it short is best for the server. Now if you excuse me, I think by the time I finish typing this I'll have to open #16

בטוח יש פה ישראלים!!!!

הגיע הזמן להתאחד!



AAAAAAHHHHHHH

Most users ever online was 3,103 on Today, 02:52 PM

how can you be anynomous ??

Fallout fans fhtagn

I bet they started doing the teaser today. XD

that was actually pretty cool.. its like a freeze button slows everything down lol

QUOTE(BrotherOfStell @ Jun 5 2007, 07:51 AM)
This IS Sparta!

For those who missed it...

THE TEASER



I have you beat with it playing in 10 different windows. It is complete chaos.

JUST FLOODING...

You can read this while waiting. Thats what i do.





The 20th century

The first three decades

The Victorian era continued into the early years of the 20th century and two figures emerged as the leading representative of the poetry of the old era to act as a bridge into the new. These were Yeats and Thomas Hardy. Yeats, although not a modernist, was to learn a lot from the new poetic movements that sprang up around him and adapted his writing to the new circumstances. Hardy was, in terms of technique at least, a more traditional figure and was to be a reference point for various anti-modernist reactions, especially from the 1950s onwards.

The Georgian poets and World War I

The Georgian poets were the first major grouping of the post-Victorian era. Their work appeared in a series of five anthologies called Georgian Poetry which were published by Harold Monro and edited by Edward Marsh. The poets featured included Edmund Blunden, Rupert Brooke, Robert Graves, D. H. Lawrence, Walter de la Mare and Siegfried Sassoon. Their poetry represented something of a reaction to the decadence of the 1890s and tended towards the sentimental.

Brooke and Sassoon were to go on to win reputations as war poets and Lawrence quickly distanced himself from the group and was associated with the modernist movement. Other notable poets who wrote about the war include Isaac Rosenberg, Edward Thomas, Wilfred Owen, May Cannan and, from the home front, Hardy and Rudyard Kipling. Although many of these poets wrote socially-aware criticism of the war, most remained technically conservative and traditionalist.

Modernism

The early decades of the 20th century saw the United States begin to overtake the United Kingdom as the major economic power. In the world of poetry, this period also saw American writers at the forefront of avant-garde practices. Among the foremost of these poets were T.S. Eliot, H.D. and Ezra Pound, each of whom spent an important part of their writing lives in England.

Pound's involvement with the Imagists marked the beginning of a revolution in the way poetry was written. English poets involved with this group included D. H. Lawrence, Richard Aldington, T. E. Hulme, F. S. Flint, E. E. Cummings, Ford Madox Ford, Allen Upward and John Cournos. Eliot, particularly after the publication of The Waste Land, became a major figure and influence on other English poets.

In addition to these poets, other English modernists began to emerge. These included the London-Welsh poet and painter David Jones, whose first book, In Parenthesis, was one of the very few experimental poems to come out of World War I, the Scot Hugh MacDiarmid, Mina Loy and Basil Bunting.

The Thirties

The poets who began to emerge in the 1930s had two things in common; they had all been born too late to have any real experience of the pre-World War I world and they grew up in a period of social, economic and political turmoil. Perhaps as a consequence of these facts, themes of community, social (in)justice and war seem to dominate the poetry of the decade.

The poetic landscape of the decade was dominated by four poets; W. H. Auden, Stephen Spender, Cecil Day-Lewis and Louis MacNeice, although the last of these belongs at least as much to the history of Irish poetry. These poets were all, in their early days at least, politically active on the Left. Although they admired Eliot, they also represented a move away from the technical innovations of their modernist predecessors. A number of other, less enduring, poets also worked in the same vein. One of these was Michael Roberts, whose New Country anthology both introduced the group to a wider audience and gave them their name.

The 1930s also saw the emergence of a home-grown English surrealist poetry whose main exponents were David Gascoyne, Hugh Sykes Davies, George Barker, and Philip O'Connor. These poets turned to French models rather than either the New Country poets or English-language modernism, and their work was to prove of importance to later English experimental poets as it broadened the scope of the English avant-garde tradition.

John Betjeman and Stevie Smith, who were two of the most significant poets of this period, stood outside all schools and groups. Betjeman was a quietly ironic poet of Middle England with a fine command of a wide range of verse techniques. Smith was an entirely unclassifiable one-off voice.

The Forties

The 1940s opened with the United Kingdom at war and a new generation of war poets emerged in response. These included Keith Douglas, Alun Lewis, Henry Reed and F. T. Prince. As with the poets of the First World War, the work of these writers can be seen as something of an interlude in the history of 20th century poetry. Technically, many of these war poets owed something to the 1930s poets, but their work grew out of the particular circumstances in which they found themselves living and fighting.

The main movement in post-war 1940s poetry was the New Romantic group that included Dylan Thomas, George Barker, W. S. Graham, Kathleen Raine, Henry Treece and J. F. Hendry. These writers saw themselves as in revolt against the classicism of the New Country poets. They turned to such models as Gerard Manley Hopkins, Arthur Rimbaud and Hart Crane and the word play of James Joyce. Thomas, in particular, helped Anglo-Welsh poetry to emerge as a recognisable force.

Other significant poets to emerge in the 1940s include Lawrence Durrell, Bernard Spencer, Roy Fuller, Norman Nicholson, Vernon Watkins, R. S. Thomas and Norman McCaig. These last four poets represent a trend towards regionalism and poets writing about their native areas; Watkins and Thomas in Wales, Nicholson in Cumberland and MacCaig in Scotland.

The Fifties

The 1950s were dominated by three groups of poets, The Movement, The Group and a number of poets that gathered around the label Extremist Art.

The Movement poets as a group came to public notice in Robert Conquest's 1955 anthology New Lines. The core of the group consisted of Philip Larkin, Elizabeth Jennings, D. J. Enright, Kingsley Amis, Thom Gunn and Donald Davie. They were identified with a hostility to modernism and internationalism, and looked to Hardy as a model. However, both Davie and Gunn later moved away from this position.

As befits their name, the Group were much more formally a group of poets, meeting for weekly discussions under the chairmanship of Philip Hobsbaum and Edward Lucie-Smith. Other Group poets included Martin Bell, Peter Porter, Peter Redgrove, George MacBeth and David Wevill. Hobsbaum spent some time teaching in Belfast, where he was a formative influence on the emerging Northern Ireland poets including Seamus Heaney.

The term Extremist Art was first used by the poet A. Alvarez to describe the work of the American poet Sylvia Plath. Other poets associated with this group included Plath's one-time husband Ted Hughes, Francis Berry and Jon Silkin. These poets are sometimes compared with the Expressionist German school.

A number of young poets working in what might be termed a modernist vein also started publishing during this decade. These included Charles Tomlinson, Gael Turnbull, Roy Fisher and Bob Cobbing. These poets can now be seen as forerunners of some of the major developments during the following two decades.

The 1960s and 1970s

In the early part of the 1960s, the centre of gravity of mainstream poetry moved to Ireland, with the emergence of Seamus Heaney, Tom Paulin, Paul Muldoon and others. In England, the most cohesive groupings can, in retrospect, be seen to cluster around what might loosely be called the modernist tradition and draw on American as well as indigenous models.

The British Poetry Revival was a wide-reaching collection of groupings and subgroupings that embraces performance, sound and concrete poetry as well as the legacy of Pound, Jones, MacDiarmid, Loy and Bunting, the Objectivist poets, the Beats and the Black Mountain poets, among others. Leading poets associated with this movement include J. H. Prynne, Eric Mottram, Tom Raworth, Denise Riley and Lee Harwood.

The Mersey Beat poets were Adrian Henri, Brian Patten and Roger McGough. Their work was a self-conscious attempt at creating an English equivalent to the Beats. Many of their poems were written in protest against the established social order and, particularly, the threat of nuclear war. Although not actually a Mersey Beat poet, Adrian Mitchell is often associated with the group in critical discussion. Contemporary poet Steve Turner has also been compared with them.

I bet they dont even know whats going on on their forums.

The devs, that is.

ARHHHHHHHHHHHGgggggggggg BRING UP THE TEASER ALLREADUY!!¤!"¤%"#%&"# IM ABOUT TO HANG MY SELF OF FRUSTATION!

the internet is going to crash

and if the teaser won't show it's face soon we will be living in a post apocaliptic world

5 minute's till bethesda time , think they will have it up ?

OMG, you are SHERLOCK HOLMES!

Thank god you found it!

I havent seen this much spam since...well..

You guys are fast =))

Done and done

ok so I don't have 3000+ people in my bedroom... I just have http://img120.imageshack.us/img120/8500/fallout3ea8.swf open 3000+ times

I know where not allowed to use foreign languages, but an exception should be made with the language of The Great Old Ones.
Thus, Ph'nglui mglw'nafh Cthulhu R'lyeh wgah'nagl fhtagn

beth is mean

http://img120.imageshack.us/img120/8500/fallout3ea8.swf
http://img120.imageshack.us/img120/8500/fallout3ea8.swf
http://img120.imageshack.us/img120/8500/fallout3ea8.swf
http://img120.imageshack.us/img120/8500/fallout3ea8.swf
http://img120.imageshack.us/img120/8500/fallout3ea8.swf
http://img120.imageshack.us/img120/8500/fallout3ea8.swf

I'M ON JET!!!

The #15? omg, go to your nearest bomb shelter or vault!! its gonna EXPLOOOOODES!!